Arch is good for a machine that gets used a lot, but for something where you need stability or to be able to run it for a long time between restarts and updates, something Debian-based is preferable. Just not modern Ubuntu because Snaps are performance-sapping nightmares.
kbity
USB-C hubs all seem to be dodgy crap made by anonymous Chinese companies and resold through various companies, including the likes of Apple. There's an absolute dearth of hubs made by actual reputable firms.
The void wants to be your friend!
VR possibly needs to get as high as 16K to be truly perfect for the human eye, so it could be useful there. But 16K headsets are a long way off, and refresh rate also needs to improve since the human eye can perceive up to 2,000 frames per second, so I feel like refresh rate will be the priority over pixel density by the time we get even 8K headsets.
IMAX 1570 film is equivalent to somewhere between 12K and 18K resolution, though as you say that's only going to matter on a really big display or if you're creating content for future VR headsets. As for frame rate, more than 24 FPS doesn't really seem popular in cinema - I remember that Hobbit film getting quite a negative reaction when it tried 48 FPS, and then there's the Soap Opera Effect. The colour characteristics of different kinds of film also appeal to some artistic filmmakers.
None of those points really justify the significantly more expensive and complicated workflow that comes with analogue film, mind. I do wish digital hadn't taken over so soon because a whole bunch of media is now stuck with 480p digital as the best it's realistically ever going to look barring AI upscaling, but I can't say I really blame the producers for making that decision because digital is far less of a pain in the ass.
Depends on the film itself being used. You can get a pretty insane level of detail on the professional-grade stuff. It's how we're able to do 4K remasters of stuff from decades ago. Digital still has a fair bit to go before it can fully outshine analogue film.
Centralisation in this instance refers to control over the network and standard itself rather than control over what's posted on it. There's no single authority that can unilaterally change how every Fediverse instance and system works - for example, there isn't anyone who can decree that from now on Lemmy will no longer allow connections from Canada, or that nobody is allowed to post pictures of capybaras any more.
It's intended to prevent a /u/spez or Elon Musk situation where one asshole can bring down the entire ecosystem built around an API. Nothing stops anyone else from hosting their own instance if they dislike lemmy.world, whereas if you don't like Twitter, you can't just host your own copy of it.
The very fact that they work like mobile apps is a reason to dislike them, honestly. At least Flatpaks aren't total fucking crap like Snaps.
It's just Huffman, an Elon simp, deciding he wants IPO money and that the best way to make it is to blindly follow whatever Twitter does. Because, you know, Twitter's so hot and profitable right now.
OsmAnd actually works pretty well in my experience, at least in the UK. It's not always up to date or fully-detailed but it's far from useless and I appreciate that. It's my primary map program on my phone.
Damn, that does look a lot better.
On the flip side, it's a rolling-release distro, so you don't have to play a game of "what broke?" whenever you do a major version upgrade or do a clean install to avoid it, because there are no major version updates. And the AUR is pretty much the reason to use Arch outside of being at the cutting edge (which is mainly useful for using brand new hardware that hasn't got the best support in the more conventional distros yet, like a new laptop).