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"It’s the kind of Lovecraftian mindf*ck I can’t get enough of, and it bounces from subgenre to subgenre in a way that feels totally natural. It’s almost like writer/director Matt Warren took Benson and Moorhead’s Resolution and The Endless and transposed them into a more classically horrific key, so if you’re a fan of that filmmaking duo’s trademark Lovecraftian style, I think you’re really going to like Delicate Arch..."

"Your pineal gland will burst through your forehead and dance the cha-cha when it vibrates to the unhinged Lovecraft adaptation Unspeakable: Beyond The Wall Of Sleep from the especially odd auteur Chad Ferrin...

... Unspeakable: Beyond The Wall Of Sleep has the rewired retro thrills to pay the bills. It will reveal to you that beyond the vast gulf beyond comprehension there lies fresh frontiers of sexy surreal madness waiting for hungry members to chew on. Check this s**t out."

"Now this may sound like an overreaction, but believe me when I say that it’s outright CRIMINAL I hadn’t heard anything about this movie anywhere else other than from the creators. Is there a reason for that? Did I wrong you in some way? Were y’all purposely keeping this from me for some reason beyond my comprehension? Or was keeping me in the dark part of some sick pleasure you’ve been enjoying at my expense? Let’s break some basics before we get back on track—Shadow People..."

"Cosmic horror can be minds and dimensions beyond human ken - Cthulhu's incomprehensible moral guidance or whole ecologies swirling around us unseen. Or Azathoth, “mindless” because what it has instead is so vast and all-encompassing as to make mind-ness irrelevant. But cosmic horror can also be implacably simple - hunger, say, combined with being further up the food chain than we apex omnivores would like to believe possible. Maybe much further..."

"404 Media previously reported Cox Media Group (CMG) was advertising a service that claimed to target ads based on what potential customers said near device microphones. Now, here is the pitch deck CMG sent to prospective companies. Google has kicked CMG off its Partner Program in response..."

"Explore the dark and eerie tale of "The Alchemist" by H.P. Lovecraft, where centuries-old curses and the relentless pursuit of immortality collide. Join us as we delve into this chilling story of vengeance, ancient secrets, and the macabre legacy of a doomed family. Will the truth be uncovered before it's too late? Watch now and step into Lovecraft's world of horror and the supernatural.

Join us for a journey into the eerie unknown—where every shadow hides a secret..."

"When one thinks of H.P. Lovecraft, his iconic short story "The Call of Cthulhu" immediately comes to mind. Much like his body of work, this tale has been considered a challenge to adapt to the silver screen, owing to the famed author's style that heavily relies on atmosphere, suspense, and cosmic and supernatural terrors that anchor on the unknown. However, in 2005, a low-budget silent film shattered the idea of the immortal story as “unfilmable,” providing one of the most faithful adaptations of his works, to the delight of horror aficionados, Lovecraft fans, and the movie-seeing public as a whole. Directed by Andrew Leman who also co-produced it with Sean Branney, and distributed by the H. P. Lovecraft Historical Society, The Call of Cthulhu masterfully brings Lovecraft's writing to life through the conventions of an F.W. Murnau/Robert Wiene-esque monochromatic silent feature..."

"Beach vacations sound like nothing but fun in the sun unless one has seen Jeffery A. Brown’s directorial debut, The Beach House. What starts as an uncomfortable, accidental couple’s weekend in a nearly abandoned seaside town ends in a cosmic horror nightmare that would impress H.P. Lovecraft himself. Liana Liberato stars as Emily, a college senior giving her relationship with Randall (Noah Le Gros) one last chance. Their romantic getaway crashes the older couple, Mitch (Jake Weber) and Jane’s (Maryann Nagel), own stay at the same house. As the couples shakily occupy the space, an oceanic microorganism rapidly works through every living organism it comes in contact with..."

"Many of us are aware that being watched is no longer an Orwellian paranoia, but a contract we’re signed into when using and consenting to digital technology. The transformation of digital technology has been widely recognised for its ability to track, document and observe trends. But what this means for us collectively is that surveillance methods are routinely seized and weaponised by those in power.

The uses of surveillance technology are spreading far and wide, from being introduced in schools without parents’ knowledge to monitor pupils and families to spying on vulnerable people in NHS mental health wards around the clock. Even group chats are being used to punish and prosecute young people. But it’s not only coming from above.

In the digital age we have all become immersed into the society of the spectacle and mutual surveillance is higher than ever. From filming strangers becoming completely normalised to everyone you know having a Ring doorbell – we have all become little brothers, and smartphones are the all seeing eye..."

On The Cover - Bob Eggleton

"Ridley Scott’s Alien redefined the sci-fi genre in many ways, through its exploration of cosmic horror, existentialism, ethical dilemmas surrounding AI, and more. Romulus is an echo of all these tried and tested thematic discussions. However, the film does it diligently and with an earnest respect for the genre that you almost forgive its shortcomings..."