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"FromSoftware’s Bloodborne takes not only themes and elements from Lovecraft but also the storytelling structure from the author.

The game might begin on an understandable note but quickly descends into Eldritch horrors that are far beyond mortal comprehension.

Bloodborne’s effective usage of cosmic horror, paired with its Gothic aesthetic, makes for a memorable experience that has enraptured fans for nearly a decade.

From the moment you set foot onto the forsaken cobblestones of Yharnam, Bloodborne makes it abundantly clear there is something very, very wrong. After all, your first vision in the game is a beast emerging from a puddle of blood before you awaken in an abandoned clinic.

Going down the stairs to exit the clinic is a metaphor for how the game’s descent from safety to insanity has already begun.

While some of the Lovecraftian inspirations are easy enough to spot, those who have read the author’s work will agree that FromSoftware has done a deep dive into the realm of cosmic horror.

From the narrative’s subject matter to its pacing, along with all the visuals in the game, Bloodborne’s homage to Lovecraft is one of the many reasons this beloved title is brought up in many discussions..."

"A 41-year-old man in New Hampshire died last week after contracting a rare mosquito-borne illness called eastern equine encephalitis virus, also known as EEE or “triple E.” It was New Hampshire’s first human case of the disease in a decade. Four other human EEE infections have been reported this year, in Wisconsin, New Jersey, Massachusetts, and Vermont.

Though this outbreak is small, and triple E does not pose a risk to most people living in the United States, public health officials and researchers are concerned about the threat the deadly virus poses to the public, both this year and in future summers. There is no known cure for the disease, which can cause severe flu-like symptoms and seizures in humans four to 10 days after exposure and kills between 30 and 40 percent of the people it infects. Half of the people who survive a triple E infection are left with permanent neurological damage. Because of EEE’s high mortality rate, state officials have begun spraying insecticide in Massachusetts, where 10 communities have been designated “critical” or “high risk” for triple E. Towns in the state shuttered their parks from dusk to dawn and warned people to stay inside after 6 pm, when mosquitoes are most active.

Like West Nile virus, another mosquito-borne illness that poses a risk to people in the US every summer, triple E is constrained by environmental factors that are changing rapidly as the planet warms. That’s because mosquitoes thrive in the hotter, wetter conditions that climate change is producing..."

"Google uses anti-competitive practices to dominate the market for online advertising technology, a UK watchdog has provisionally found.

The potentially unlawful behaviour could be harming thousands of UK publishers and advertisers, an investigation by the Competition and Markets Authority (CMA) has warned.

It accuses Google of preventing rivals from "competing on a level playing field" with its own tech for the billions of pounds spent by UK businesses on online advertising.

Google said the watchdog's findings were "flawed" and said it would respond.

According to the CMA, the vast majority of businesses use Google’s services when placing digital ads on websites.

Google maintains it has a strong business incentive to help UK firms thrive, and argues that advertisers choose to use Google because its products work well and help their businesses grow.

The watchdog will now consider representations from Google before deciding what action to take..."

"The humble TV show is a difficult medium to make horror stories work in, but several series have managed to ascend the ranks of the genre. While countless incredible horror films have endlessly proven the potential of the horror story in movie format, the many constraints of network television have made the success of creative horror TV series far less common. That being said, there are a number of standout horror shows that have stood the test of time as genre-defining works of art.

The best horror shows take advantage of long-form storytelling to cast their protagonists deeper and deeper into despair over the course of a thoughtful story that puts character above all else. Conversely, TV is particularly suited to anthology stories when it comes to horror, with the episodic format of a series being the perfect platform to put forth a wide breadth of uniquely terrifying premises. In either case, it's become clear that a macabre fascination with scary stories has infiltrated both networks and streaming..."

"Welcome to Horror Explorer, a curated column showcasing the month’s best movies, series, books and everything else spooky worth checking out. I’m William Earl, the editor of Variety.com and the publication’s resident horror enthusiast. Please drop me a line at wearl@variety.com if there’s something I should check out for next month’s missive..."

"Police chiefs of America's largest cities have published the first guide about UAPs, which details chilling encounters and how officers can report such incidents.

The 11-page document warned that unidentified flying objects 'pose significant safety risks to law enforcement air support units,' urging teams to be vigilant when in helicopters.

The report also highlights stories from officers who claimed to confront UFOs, specifically one in 2023 where a law employee saw a 'triangle craft with green lights gliding through the sky' before a local resident said something 'ran' nearby.

The police executives created the reference because 'it's in the interest of law enforcement to be aware of trends and reporting on UAP due to the unknown threat they may pose.'

The organization, called the Major Cities Chiefs Association (MCCA), includes nearly 80 executives from major US cities who work together to advance public safety through a range of initiatives, including community outreach, research and policy development and now, UFO investigations..."

"With the domination of Shonen manga like One Piece, Naruto, and Bleach for years, a subgenre has also been discreetly thriving in the industry— horror. At the forefront of this genre stands Junji Ito, a master of eerie storytelling and grotesque imagery. Among his creations, Uzumaki is regarded by Ito as the “most complete demonstration” of his artistic ability, in addition to being one of the most terrifying horror stories ever written.

While this masterpiece manga first started its serialization in 1998, fans had to wait quite a long time for the anime adaptation to come to fruition. The long wait is finally over as Uzumaki‘s Adult Swim adaptation is set to premiere on 28th September...

... Horror as a genre has always thrived in visual mediums. Thus, the creepy imagery of Uzumaki is perfect for animation, where the spirals can take on a life of their own. In addition to this, the story’s exploration of cosmic horror, body horror, and psychological terror taps into fears that are universal, which are bound to resonate with viewers on a new level..."

"Rivers will be checked for sewage and other pollution by the general public this month in an attempt to assess the health of British waterways.

Cuts to the UK regulators and a change in the law to allow water company self-monitoring of pollution in England mean there is little independent monitoring of the state of rivers in the UK.

When the UK was in the EU, it was subject to the water framework directive, which meant it had to carry out detailed pollution analysis of waterways and report every year. There has not been a survey done under the WFD since 2019, and the Conservative government began the process of removing the EU standards from UK legislation. The Labour government has not indicated whether it intends to continue this deregulation.

’Citizen scientists’ have therefore been intensifying efforts to check rivers for pollution to try to find the true scale of the problem..."

"The plot has thickened on the mystery of the altar stone of Stonehenge, weeks after geologists sensationally revealed that the huge neolithic rock had been transported hundreds of miles to Wiltshire from the very north of Scotland.

That discovery, described as “jaw-dropping” by one of the scientists involved, established definitively that the six-tonne megalith had not been brought from Wales, as had long been believed, but came from sandstone deposits in an area encompassing the isles of Orkney and Shetland and a coastal strip on the north-east Scottish mainland.

Many experts assumed that the most likely place of origin was Orkney, based on the islands’ rich neolithic culture and tradition of monument building.

But a separate academic study has now found that Orkney is not, in fact, the source of the altar stone, meaning the tantalising hunt for its place of origin goes on..."

"One question repeatedly popped into my mind during “The Substance,” an outrageous and beyond bizarre horror movie that had its North American premiere Thursday night at the Toronto International Film Festival.

What’s wrong with these people?!

Our judgment begins with the damaged-to-deranged characters.

Elisabeth Sparkle, played to the hilt by Demi Moore (what’s wrong with her?!), is an Oscar winner turned fading fitness guru a la Suzanne Somers whose luxurious Hollywood home is plastered with giant portraits of her in her prime.

After Elisabeth is abruptly fired from her TV job, “Sparkle With Elizabeth,” the gutted actress learns of an underground drug called the Substance that promises to create a younger, sexier doppelgänger of a person. A certifiable California narcissist, Elisabeth signs right up.

This is when we start to wonder what’s wrong with the astronomically talented and created writer-director Coralie Fargeat, whose French nightmares this astounding film surely sprang from.

When Elisabeth injects the plutonium-green Substance, her back gorily splits open, and her nubile clone pops out like a xenomorph in “Alien.”

The one unbreakable rule, with gnarly consequences, is that the young counterpart can walk the earth for only seven days at a time — while Elisabeth basically hibernates — before they swap places again.

Almost immediately, Liz’s piggish former boss (Dennis Quaid at his funniest) casts the gorgeous clone, who names herself Sue, as his hot new workout show host of a program called “Pump It Up.”

Elisabeth awakens only to be taunted by billboards and posters of Sue, and develops a love-hate relationship with her popular counterpart.

Moore, at her most game and frequently unclothed, gives one of her best performances in years — going from It girl to Gollum in over two hours. Impeccable makeup and prosthetics help, but the true terror is created by her beneath the surface.

Qualley, by contrast, spends most of the film smiling and squatting — never boringly, mind you — but that shiny veneer conceals building resentment and darkness.

Opportunist Sue would rather not take a weeklong nap after seven days and goes to harmful extremes to stay awake. (Something is definitely wrong with her.)

That leads to a Grand-Guignol finale so weird, warped and funny that we sit in awe of the fact that investors actually said, “Sure, we’ll pay for that.”

As for the audience, something is wrong with us, too.

I enjoyed this ride of titillation, torment, insanity and exploitation to such a preposterous extent that I’ve considered signing up for online therapy to wrestle with it.

Perhaps that’s because, as jaw-droppingly odd as it is, “The Substance” is part of a grand, campy tradition. The movie is the hotter, younger offshoot of “Death Becomes Her” and, being set in a two-woman LA household stewing with envy, even “What Ever Happened to Baby Jane?”

By the end, it’s “Frankenstein” and “Young Frankenstein.”

Where Fargeat’s film distinguishes itself — and will send some viewers sprinting to the bathroom — is the amble body horror elements.

Hers is a provocative, gruesome, bloody and, for some, nauseating movie that will be hugely controversial when it hits theaters later this month.

Much like the title drug, it’s hard to broadly recommend it without listing off a host of side effects.

However, at the movies today, there is nothing wrong with unbound creativity, epic vision and some gonzo entertainment.

And, by the way, in its smart send-up of our youth-obsessed culture, there’s even a little substance, too."

"Blumhouse recently revealed the logo for its upcoming Universal Monsters movie Wolf Man and now, with Halloween Horror Nights having kicked off in Orlando, it looks to have unveiled a first look at its titular character, too.

'Enter the Blumhouse' is one of this year's attractions at the event, where attendees can come face to face with studio favorites like M3GAN, The Black Phone's The Grabber, Happy Death Day's Baby Face Killer, and more. Nearby, there's a photo op stand for Wolf Man, where someone in a mask and a tatty boiler suit lunges at passers-by with their bloodied hands.

With videos emerging on social media, many have assumed it's a hint at what Christopher Abbott will look like when he transforms in the new movie. Some, it's fair to say, are hoping that that's not the case..."

“The Ritual,” the upcoming exorcism horror in which Al Pacino and Dan Stevens play troubled priests, has sold out for most international territories by XYZ Films.

From director David Midell, the film was written by Midell and Enrico Natale, and produced by Andrew Stevens, Mitchell Welch and Natale. Ashley Greene and Abigail Cowen round out the cast.

XYZ, which has been quietly growing its own releasing arm on top of its sales operations, is planning a U.S. theatrical release in 2025.

Based on a true story, “The Ritual” follows two priests — one questioning his faith (Stevens) and one reckoning with a troubled past (Pacino) — who must put aside their differences to save a possessed young woman through a difficult and dangerous series of exorcisms. The film is an authentic portrayal of Emma Schmidt, an American woman whose demonic possession culminated in harrowing exorcisms. Her case remains the most thoroughly documented exorcism in American history.