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Writer and director Michael Felker got his start in the film industry with modern genre masters Justin Benson and Aaron Moorhead. Through editing almost all of their films, Felker absorbed everything that makes the works of Benson and Moorhead so special. Now he’s taken all of that learning and created his own touching, frightening, and beautifully lo-fi sci-fi horror film, Things Will Be Different.

In the film: In order to escape police after a robbery, two estranged siblings lay low in a metaphysical farmhouse that hides them away in a different time. There they reckon with a mysterious force that pushes their familial bonds to unnatural breaking points.

If there’s one movie you check out this year, let it be this one. It’s smart, heart-felt, and tense, a clever mix of family drama and genre film. You never feel its budget but you always feel the pulsing cosmic horror that’s closing in around our two protagonists...

 

"In terms of reading, the early Bradbury played a part (although I did not discover him until my teens), the early Bloch, and a number of '40s paperback editions of Lovecraft that I found in an aunt's attic. Lovecraft struck me with the most force, and I still think, that for all his shortcomings, he is the best writer of horror Fiction that America has yet produced"...

 

Horror movies are back. Actually they never left. Yet after a few underperformed in the springtime, pundits with apparently a short-term memory about the genre perceived that its popularity was on the decline. Turns out, reports of its demise were greatly exaggerated—like always.

One of the most basic and satisfying things cinema can offer is a safe space to be scared, to be intimidated, and to be thrilled at the sights of wicked things. And there’s been wickedness aplenty in 2024. Here are the best ones for those interested in looking for such delights...

  • I Saw the TV Glow
  • The Substance
  • Speak No Evil
  • Sleep
  • The First Omen
  • Abigail
  • Strange Darling
  • Late Night With the Devil
  • In a Violent Nature
  • MaXXXine
  • Alien: Romulus
 

In 2023, Oliver Park's The Offering surprised moviegoers with an unorthodox religious horror during the spooking season. It created a stir at the box office that was unexpected for a small film. It's not gory or overly violent, but it has a unique appeal. Centering around a family who live above a Jewish funeral home, the film adds a unique spin to the ghost story genre that feels refreshing.

The Offering explores common themes like grief and loss and tells a Jewish story that has cultural resonance. Horror fans who are used to the usual format of ghost stories will find this movie slightly different. It doesn't seem to follow the known tropes, though it contains almost all the necessary elements to make it a ghost story. Instead, it tells an authentic story about death, tragedy, loss and faith with a giant twist at the end...

 

Anyone who has experienced profound loss will understand how grief is an inherent shape-shifter. It shows up in different forms for everyone, takes up space in different ways, and changes continuously as you move through (and beyond) the process of mourning. Shudder’s latest film, Daddy’s Head, tackles this very phenomenon, offering a folk horror-inspired tale that is as surprisingly heartfelt as it is definitively terrifying. Indeed, the creature design in Benjamin Barfoot’s film is the stuff of nightmares — just in time for spooky season — but it’s the human characters that grab you in the end.

Daddy’s Head sees a young Isaac (Rupert Turnbull) reeling from the tragic death of his father (Charles Aitken), the only family he had left after his mother passed years ago. Though she has just recently married Isaac’s father, Laura (Julia Brown) becomes Isaac’s legal guardian, and must decide whether she will assume the role of his full-time caregiver or place him in foster care. As it turns out, Laura has her own baggage that makes her doubt her ability to be someone’s parent...

 

A truly great horror prequel can be a difficult thing to pull off, as audiences know where the story will end up, and this can often take away from the suspense of its narrative. However, some incredible prequels used these factors to their advantage to subvert viewers' expectations and richly develop the lore of the franchise’s mythology. Occasionally, some horror prequels have even outdone their predecessor and become releases that can showcase a new direction for the series, adding new depth, characterization, and context to its cinematic world.

Like the best horror sequels, prequel movies were an opportunity to expand upon previously established events, but this time, looking back and answering questions that have long been on viewers' minds. Horror prequels can act as origin stories for a franchise’s world, such as movies like A Quiet Place: Day One or The First Purge, while other prequels flesh out mysterious characters' backstories like Rosemary Baby’s Terry Gionoffrio in Apartment 7A. Whatever the goal, when accomplished well, a horror prequel can be a worthy addition to its source material...

  • A Quiet Place: Day One (2024)
  • The First Omen (2024)
  • Pearl (2022)
  • The First Purge (2018)
  • Psycho IV: The Beginning (1990)
  • Final Destination 5 (2011)
  • Prey (2022)
  • Apartment 7A (2024)
  • Annabelle: Creation (2017)
  • Ouija: Origin of Evil (2016)
 

Helmed by Gary Dauberman, ‘Salem’s Lot’ is based on Stephen King’s eponymous 1975 horror novel. It is the first time the source material has been adapted for a film, having already been released as a miniseries in 1979 and 2004, respectively, both of which have garnered a cult following. The film follows author Ben Mears (Lewis Pullman), who returns to his hometown of Jerusalem’s Lot AKA Salem’s Lot, in Maine, after 25 years to find inspiration for his next book. His search takes a sinister turn after he realizes that an ancient evil is turning the town’s residents into vampires.

Ben, thus, takes up the responsibility of ending the plague of the undead and saving his town. While there are many films about vampires, what separates ‘Salem’s Lot’ from the rest is its treatment of the genre. It has a dark tone devoid of comedic elements. If you are seeking narratives that deal with vampires or evil forces ravaging a small town or a particular place, here we bring you movies similar to ‘Salem’s Lot.’

  • Fright Night (1985)
  • Vampires (1998)
  • The Watchers (2024)
  • Disappearance (2002)
  • Dark Harvest (2023)
  • The Bridge Curse (2020)
  • The Cursed (2021)
  • Kuyang (2024)
  • 30 Days of Night (2007)
  • The Wailing (2016)
 

Many modern Lovecraftian movies like to unveil their cosmic horror slowly. William Eubank’s 2020 Underwater takes this technique to the next level. What first comes off as a thriller, Underwater ultimately has all the markers for a classic eldritch nightmare. The claustrophobia serves as an existential dread and Cthulhu himself makes an appearance. Kristen Stewart stars as Norah Price, an underwater engineer working at a mysterious drilling compound. When the compound suffers catastrophic failure from an unseen force, Norah gathers the survivors and embarks on a mission to find escape pods. Underwater slipped under the radar, but for a film that makes several bold twists on classic Lovecraftian staples, it deserves more attention for innovation at the very least...

 

Year after year, horror filmmakers desperately search for ways to keep the genre fresh. Whether it's a film entirely from the perspective of the murderer or a found footage movie that abandons narrative cohesion. Bold experimentation is desperately needed to keep the thrills thrilling and the scares scary, but sometimes the pioneering film isn't the one that propels the genre forward. While rare, sometimes a sequel will not only live up to the original but will improve upon the original concept in almost every way.

The "Screenlife" film is a subgenre that became relevant about a decade ago and is undoubtedly the trend that has pushed horror filmmaking forward the most. This subgenre centers around narrative stories told entirely through the screen of a device, whether it be a computer, laptop, or a cell phone. The genre was popularized by 2014's Unfriended but wasn't mastered until four years later with Stephen Susco's much-maligned masterpiece Unfriended: Dark Web...

... Unfriended: Dark Web was hugely successful. The film grossed $16 Million against a budget of $1 Million and was received more positively than its predecessor. Despite its box office success, the film has fallen out of favor with fans and critics over the years, and unjustly so. Regardless of the majority opinion, Unfriended: Dark Web stands as a brilliant addition to a thriving subgenre. With a perfect mix of psychological tension and visceral scares, this film offers something for every kind of horror fan and deserves to be remembered.

 

Humanity has missed its chance of keeping global warming below 1.5C and it will take “heroic efforts” to stay below 2C this century, the scientist leading the global effort to understand climate change has warned.

Jim Skea, chairman of the Intergovernmental Panel on Climate Change (IPCC), said a failure to sufficiently curb carbon emissions had left the world on track to warm by 3C by 2100. This average masks variations between land and sea, with western Europe and the UK facing even greater warming – perhaps as much as 5C by the end of the century.

“We are potentially headed towards 3C of global warming by 2100, if we carry on with the policies we have at the moment,” said Skea...

The Met Office has tried to project the UK impacts. By 2070, it says, winters will be up to 4.5C warmer but 30pc wetter, meaning more flooding. Summer will be up to 6C warmer, with frequent droughts and surging numbers of heat-related deaths.

Skea said: “It’s very clear climate change is no longer decades in the future. It’s very obvious it’s happening now, so we need to adapt.”

“One of the biggest risks in many regions will come from the combination of heat and humidity.

“It will just be difficult to live and to work outside. In some parts of the world, that will be really a showstopper for some kinds of economic activity.”

Europe faces some of the biggest challenges. Other scientists have predicted Scotland becoming a centre for wineries, that Poland will struggle to grow staple crops such as potatoes and Italy might no longer be able to cultivate durum wheat – used to make pasta.

Skea warned of deserts appearing in southern Europe. He said: “The whole of Europe is vulnerable and especially the Mediterranean. We are already seeing desertification taking place, not only in North Africa, but some of the southern margins of Europe, like Greece, Portugal and Turkey.”

 

Humanity has missed its chance of keeping global warming below 1.5C and it will take “heroic efforts” to stay below 2C this century, the scientist leading the global effort to understand climate change has warned.

Jim Skea, chairman of the Intergovernmental Panel on Climate Change (IPCC), said a failure to sufficiently curb carbon emissions had left the world on track to warm by 3C by 2100. This average masks variations between land and sea, with western Europe and the UK facing even greater warming – perhaps as much as 5C by the end of the century.

“We are potentially headed towards 3C of global warming by 2100, if we carry on with the policies we have at the moment,” said Skea.

“Obviously temperature rises over land will be higher than over the ocean. We don’t know how warm it will get [over land] but I know it may be more than the global average.”

The Met Office has tried to project the UK impacts. By 2070, it says, winters will be up to 4.5C warmer but 30pc wetter, meaning more flooding. Summer will be up to 6C warmer, with frequent droughts and surging numbers of heat-related deaths...

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