A tremendous amount of issues in the world stem from people not understanding what abuse is and passing it on to others as "the way it has to be."
I started painting in my late 30s and love it, and get regular compliments and good natured critiques of my work. I have never cried about it, and if someone thought I needed to be torn down to improve, they would no longer be in my life. But I don't hold any delusions that I'm making high art either.
People tend to have a really shitty grasp of context and nuance. People also do use AI becaue they want to skip the work and go straight to rewards. These all stem from the same issue: lack of care. We've been trained to see the world like rich people: devoid of empathy, compassion, and care. It takes time and energy to understand your situation and formulate a proper reaponse. Sometimes art is a struggle and it takes time and energy to overcome your limits or figure out what it is you actually want from the work. Properly offering good critique requires empathy, and it requires the time and energy to dedicate to the critique.
It's easy to cruelly criticize. It's easy to throw out slop. It's easy to just let the machine do it.
Outlets like the BBC regularly reused film stock and destroyed their archives. Many episodes of old shows like Dr. Who (the first season especially) are lost media due to this practice. The show's were considered like stage plays: performed once, broadcast, and the money was made. For how "innovative" capitalism is, it took the corpos decades to realize the latent value of media IP.
The ongoing push towards *AAS is the backlash to realizing that physical media gave consumers a permanent version of things. They actually prefer it under the broadcast model where you got what they felt like putting out and liked it.
My point is that capitalism and culture are fundamentally incompatible. The illusion that capitalism has culture is only because it steals culture from the people who actually create it by alienating us from the process of creation (automation, assembly lines, AI, etc) and then using IP law to claim ownership over the artifacts of culture, which they sell back to us. The owner class have never been good stewards of anything.