Vittelius

joined 2 years ago
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[–] Vittelius@feddit.de 2 points 2 years ago

Inkscape is like Illustrator. Krita is a digital painting application, so Photoshop. It doesn't replace Photoshop in every usecase. But in that regard it's better than the tool from Adobe (or so I've been told)

[–] Vittelius@feddit.de 3 points 2 years ago (1 children)

Dass der ÖPNV bei dir gerade keine Option ist hast du gerade bewiesen. Aber was lässt dich glauben, dass er nicht besser werden kann?

Du setzt deine Hoffnung gerade in Technologie, die es möglicherweise nie geben wird, statt auf real existierende Technik zu setzen, die heute schon dein Problem lösen könnte, wenn sie nur implementiert werden würde.

[–] Vittelius@feddit.de 47 points 2 years ago (14 children)

The reason, you aren't finding anything, is that nobody really attempts to install premiere or after effects anymore on Linux. The alternatives have cought up and they are available for Linux.

  • DaVinci Resolve provides the complete package. Video editor and (node based) compositor in one. Even outside of the Linux world there is a lot of momentum behind this tool, as I probably don't have to tell you. Keep in mind, that the free version on Linux has some limitations, that the free versions on the other OS's don't have (missing h264 support for example)
  • Left angle Autograph (https://www.left-angle.com/#page=95) is a young product, having seen its first release earlier this year. It's a direct competitor to After Effects. A timeline based VFX tool. Unfortunately fairly expensive as well.

Back to your question: making things work with wine has a significant drawback. Your system can break with every update. So you're not making it work just once but over and over again.

[–] Vittelius@feddit.de 4 points 2 years ago

ALLES EINZELFÄLLE

[–] Vittelius@feddit.de 2 points 2 years ago

You could mitigate that by adding a limited, rotating color pallet. every time pixels are locked two colors are taken away and two different colors are added. You would always be able to see beforehand when certain colors would be made available, enabling a new level of planing. It also forces creative solutions in defending your art

That idea would even work standalone without the immutable thing

[–] Vittelius@feddit.de 1 points 2 years ago* (last edited 2 years ago)

I'm using a Dell t520. That works really well for me.

But honestly: pretty much every client in that price range should work. Just check whether the (embedded) graphics chip can hardware transcode your media beforehand. And you probably won't run the next Netflix on there but it's more than enough for a family usecase with multiple streams simultaneously.

[–] Vittelius@feddit.de 3 points 2 years ago

The other one did as well (https://zdf.social)

[–] Vittelius@feddit.de 3 points 2 years ago

Depends on how you look at it.

I don't think we know of a case where it convinced a studio executive, but then again we know very little about the reasons why some shows get renewed and some don't.

We do know cases where ending on a cliffhanger helped drumm up enough fan engagement to reverse a cancellation (timeless on nbc is a recent(ish) example for that)

[–] Vittelius@feddit.de 3 points 2 years ago (2 children)

I don't think it's practical. Sure, you could install termux and use that to run Jellyfin, but you won't have a pleasant time.

The better play is, to play spend 30 Bucks on a refurbished thin client and use that as your server. If you install Open Media Vault on there you'll never even have to touch the command line. (You'll have to install OMV-Extras on top of Open Media Vault for that).

[–] Vittelius@feddit.de 2 points 2 years ago

Open Media Vault. It's Debian, but with a nice web UI on top to manage the system. It allows you to setup NAS-shares visually, so you don't have to rely on your ancient and possibly a bit rusty terminal knowledge. It also gives you the option to easily install portainer, a way to manage docker containers, like a firewall

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