ValueSubtracted

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[–] ValueSubtracted@startrek.website 5 points 1 month ago (4 children)

My memory is hazy, but I think there was an, "I stopped trying after _____ happened" line. For the life of me I can't think of what it was, and it's possible that I hallucinated it.

[–] ValueSubtracted@startrek.website 9 points 1 month ago (4 children)

Why did they bother introducing the Athena’s bridge crew if they’re not going to use them?

Alex Kurtzman has said on a couple of occasions that this series is less expensive to produce that you might imagine, and I do think there have been a handful of moments throughout the season that seemed like cost-cutting measures. This was definitely one of them.

[–] ValueSubtracted@startrek.website 8 points 1 month ago (6 children)

But… are we sure he’s a genius if he never thought to try that moon’s name as an encryption cypher?

It whizzed by pretty fast, but they did say it's something he used to try pretty often, and eventually gave up on, and started concentrating on more complicated, "adult" searches. I kind of like that.

“Oh hey, is that planet in the Federation now? You know the one, what’s it called?”

It did stand out, especially when the planet in question is friggin' ~~Vulcan~~ Ni'Var. I assume that's some exposition for the newbies that will become relevant in the finale, but it was definitely odd.

Caleb wanting to rejoin his mum over staying with his friends felt like a real betrayal. And his teardown of Darem and Genesis even more so. That was brutal.

I'm definitely more attached to these kids than I expected. And Tatiana Maslany is talented enough that her sudden-but-inevitable betral next week is going to be a real gut punch.

All in all, I agree that it's a pretty good table-setting episode.

May the rest of the galaxy have your healthy perspective.

I think they've managed to strike a balance with the new shows so far - each one of them feels unique enough that I don't necessarily feel any fatigue.

[–] ValueSubtracted@startrek.website 5 points 1 month ago (2 children)

That's circular reasoning, though.

The fact that Alcubierre was inspired by Star Trek to come up with something (theoretically) workable does not mean that the warp drive as originally conceived was somehow "grounded in physics." At the end of the day, the similarities are pretty superficial.

[–] ValueSubtracted@startrek.website 5 points 1 month ago (7 children)

Alcubierre’s theoretical proof of concept for warp drives was created in the mid 1990s nearly 30 years after TOS first broadcast and TNG had completed its run.

Probably the most salient point - one cannot credibly claim that the warp drive was "based on science" that hadn't yet been published, and wouldn't be for three decades.

[–] ValueSubtracted@startrek.website 8 points 1 month ago (10 children)
  1. I said nothing of the sort.

  2. Star Trek's warp drive isn't really an Alcubierre drive at all.

[–] ValueSubtracted@startrek.website 13 points 1 month ago (13 children)

they dont however operate in a separate space outside of normal reality

Well, that would be difficult to prove one way or the other.

But since we've already got the fictional construct of subspace, the notion of a mycelial species that can extend through it seems...within the realm of truthiness, all things considered.

The part I've never fully grasped is how one travels along the network, but then, I've never fully grasped how the warp coils are supposed to work, either.

[–] ValueSubtracted@startrek.website 5 points 1 month ago (1 children)

Well, it's not closed closed, as far as we know. But filming on SFA is done, and there's nothing active until we hear something about a renewal.

SNW filmed at a different Toronto-area studio that CBS owns directly, but obviously there's no current Trek production there, either.

[–] ValueSubtracted@startrek.website 3 points 1 month ago (1 children)

Oh neat, the cookbook! We did an AMA with Chelsea Monroe-Cassel back in the Reddit days. She seemed cool.

I vaguely remember owning Best Destiny when I was a kid - that sucker was first published in 1992.

I found The Enterprise War tough to get in to, but once I did, I enjoyed it.

 

What the heck - it's Saturday, I don't have other plans, so how about one more?

I found this one to be better-balanced than the 2014 film - it's still a disaster movie, through and through, but it seems to be a little lighter and self-aware than the first one (though not nearly as much as Skull Island).

I admire their restraint in minimizing the amount of "destruction porn" throughout - even as the world was devastated by monsters, you didn't really get to see much of it aside from a few establishing shots of DC. Sadly, a lot of it was set at night or in the dark once again.

I know the laws of screenwriting say Emma has to pay for her crimes, but I wish they'd kept her around rather than have her sacrifice herself. A reformed villain can be a fun toy to keep on the shelf.

The eco-terrorism angle is interesting - it actually reminds me a lot of what the later "Jurassic World" films were attempting to do.

Unfortunately, Alan Jonah didn't really register for me at all as a character. The post-credits scene suggests he'll be a going concern, which...sure, okay.

All in all, a fun watch. It's always good to see Kyle Chandler in things. And the mass destruction seen in the film makes for interesting table-setting for future instalments.

But I think I'm monstered out for one day - I'll continue my journey in the near future.

 

Godzilla

Okay, I watched this several days ago, and honestly didn't have much to say about it. I enjoyed it, but I found it pretty perfunctory. The most interesting aspect to me was the backstory of the 1950s nuclear tests secretly being attempts to kill Godzilla - fun worldbuilding!

The characters are pretty generic, buoyed by good performances from Elizabeth Olsen and Bryan Cranston, in particular. Ken Watanabe gets the instant classic "let them fight." Unfortunately, I didn't care much for Ford, or Aaron Taylor-Johnson's portrayal of him.

It was fine! I enjoyed it! But not a lot to chew on long-term.


Kong: Skull Island

This one, on the other hand, was a hoot. The movie has personality to spare, taking full advantage of its Vietnam-era setting, from the character archetypes in play to the musical choices. That setting also gives it a little more thematic weight, as the Americans showing up and bombing the crap out of Skull Island sets the film's events into motion.

Kudos to the filmmakers for daring to set a number of the action pieces in daylight - a confident move.

Both movies have a good thoroughline of the MUTOs being fairly amoral, not necessarily "good" or "evil." Between the two Hero Monsters, Kong comes off as smarter and more empathetic, while Godzilla is more of a force of nature.

My biggest complaint? It took me about 20 minutes to figure out why the movie looked so weird before I concluded that it must have been filmed with 3D in mind. I really hate that.

 

A visiting instructor arrives at the Academy and uses an unorthodox method to help our cadets process the emotions of recent trauma. At the same time, a cadet faces an unexpected challenge that will alter the trajectory of her life forever.

Written by: Gaia Violo & Jane Maggs

Directed by: Andi Armaganian


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