StillPaisleyCat

joined 2 years ago
[–] StillPaisleyCat@startrek.website 3 points 2 months ago (2 children)

Even with the now corrected link, it still wants to show the image from the ad.

I stripped the tracking code from the end but the other image won’t clear.

Corrected it. I initially seemed to have picked up the ad instead of the actual interview.

[–] StillPaisleyCat@startrek.website 1 points 2 months ago* (last edited 2 months ago) (1 children)

I’m not sure why anyone ever thought it would be?

Other than the naysayers who were looking not to like it and had to be ‘shown otherwise.’

Even Prodigy ended up an ‘all ages’ show.

Not saying you’re one of them, it’s unfortunate that the new shows seem to have to push against negative labels and narratives that are brigaded before the first casting announcements.

In this case, despite the idea of an Academy show kicking around since the 1970s, it was fairly clear that no senior network/streamer executive were ever going greenlight it until someone came up with a concept that was more than a college soap in the Star Trek universe.

What I didn’t expect was for the other perennial ‘failed to make it to pilot’ franchise idea of a hospital show also got rolled into it. That’s one that Roddenberry first tried to spin off with M’Benga in the second season of TOS.

Prof. Sam Lawler, cited in the article as a critic/skeptic, is very active on Mastodon @sundogplanets@mastodon.social and interesting to follow.

I’m finally getting back to this.

Had a work push and then a virus. I really find I have even less attention for listening and podcasts when I’m ill.

One thing that I’ve figured out is that the audio quality varies widely depending on the service one is getting podcasts from or the delivery app.

The base recording is excellent and the sound effects are there. Some of the players have so much noise that you’d never realize that.

In any event, I tried out different players and found that Cassidy’s delivery was much less mumbly on better audio players regardless of being on the same device.

Something to consider when getting podcasts even through open source players.

We can disagree on that.

I will never love TMP but I will never claim it’s not Star Trek.

[–] StillPaisleyCat@startrek.website 6 points 2 months ago (2 children)

I agree. These folks have no perspective or are dishonest with themselves.

I can acknowledge that it can be jarring, and it can take time to accept a major visual design update.

I felt that in 1979 as I sat in the theatre watching Star Trek: The Motion Picture.

I had no heads up whatsoever that the Klingon design had changed. I was completely confused in the opening scenes with the Klingons. I couldn’t figure out what species they were.

But I got over it. Quickly.

I still think TMP is disappointing, long boring movie that rehashes the Nomad plot from TOS. The Klingon redesign wasn’t its problem though.

It seems more that Larry Ellison is giving his adult children amounts of money to invest to learn how to run businesses.

Amounts that for most others would be an inheritance in themselves are less than a year’s interest on Larry’s overall fortune.

David and his sister both started out with a certain amount.

His sister’s firm got into financial difficulties so Larry appointed a co head and hasn’t invested more.

David made his investment in creating Skydance profitable and so his father is investing more.

It’s a better solution than Trump taking his cut of the inheritance and bankrupting it, and then getting full control and bankrupting again.

That’s not to say even so that Larry isn’t taking advantage of the CBS part of the purchase to reshape its news to his own vision.

[–] StillPaisleyCat@startrek.website 8 points 2 months ago (1 children)

Celia’s hair for the panel suggests they’re evolving Uhura’s style in season five towards the one in TOS.

Which is interesting because Celia really wanted to avoid wigs and keep a natural hairstyle.

I’m wondering what kind of hair Jess will have for Chappel in the final season.

[–] StillPaisleyCat@startrek.website 3 points 2 months ago (1 children)

There are a bunch of the perennial brigading naysayers on other platforms already venting that this young Klingon is too skinny/lanky.

Seems that they never saw Tony Todd as Kurn or considered that TALL is an important Klingon physical characteristic.

[–] StillPaisleyCat@startrek.website 9 points 2 months ago* (last edited 2 months ago) (4 children)

This comes across as gatekeeping…

— from the perspective of someone who’s been watching Trek since the 1960s and has seen the same old ‘ahem, not Trek, it’s stealing from …’ chestnuts since TAS was announced, I am alway surprised how little older fans recognize that Trek has ALWAYS adapted other media (movies, television, radio plays, Shakespeare!) into its episodes.

Sigh.

Ok, perhaps I should just power through SG season one and see if I can get into it.

BSG definitely is very late 70s American but, as a Canadian, I find Buck Rogers even worse. I don’t think I made it through two or three episodes at most.

 
 
 

As much as most of us have long had any remaining interest in a fourth Kelvin movie long exhausted by the endless repetition of hype and failure, there does seem to be more confirmation of significant creative differences on the script that was in development in 2022.

James MacKinnon, longtime makeup designer, shared some context during an interview on his work on Picard and future ambitions. He explained that he was hired by Matt Shankman in 2022 to work on preproduction but was fired after a week when the work shut down.

“We were supposed to shoot in the middle of [2022] and it was supposed to come out the following year [2023], but I think a script rewrite went in a different direction.”

This aligns with previous comments from Zoe Saldaña that creative issues around the script were a factor in the movie not going ahead.

 

I have realized that I need a new editing tool that will let me use panels with more than 6 frames.

A private message with a recommendation would be appreciated sincerely.

 

Anyone interested?

I can see so much potential for guidance from a telepathic Aenar engineer & an avianoid counsellor.

 

While there was an announcement shortly before the WGA strike, and Alex Kurtzman confirmed the writers room is back up and at work during an NYCC panel, Paramount+ is moving forward on promotional information about the forthcoming new ‘Starfleet Academy’ show.

Will be keeping an eye out for information about preproduction design work starting up in Ontario.

 

My contribution to the fediverse’ #MakeYourOwnMoopsyMonth challenge.

Be gentle, I’m a novice meme-creator.

 

It’s October, and Trek’s new adorable horror is being unfairly usurped in trendiness by a character who appeared in all of two TOS episodes (even if the grimness of his personal backstory rivals La’an Noonian-Singh’s).

So, Moopsy + Kevin memes. . . I dare you.

 
 

We know from Kurtzman’s messaging at NYCC recently that Michelle Yeoh put her Academy Award star power towards ensue that her Section 31 ‘movie event’ moves forward on Paramount+.

Checking in on the Director’s Guild of Canada Ontario round up of information for its members (Hot List), there’s been an interesting update.

While ‘Dovercourt’ (working title alias for the direct to streaming movie) still has a bold ‘POSTPONED’ due to the SAG-AFTRA strike, it’s moved from the ‘Preproduction stage’ section of the list to ‘Production.’

What does this suggest?

It would seem that the key preproduction production design work in Toronto has been able to be completed since the WGA strike ended.

Like SNW, the crews in Toronto are basically ready to go into production once the actors’ strike is settled. Logistically, it’s not entirely clear that both could shoot at the same time as they share some of the same crews, but it is encouraging.

 

I’ve been enjoying the very short stories by Treklit authors in the recent issues of Titanbooks Star Trek Explorer magazine.

I see that they’re promoting anthologies of short stories, with a new third one due to be released soon. However, it’s not clear if these are just compilations of previously published stories from the magazine, new content or a mix of both.

Anyone have the earlier releases?

 

StarfleetAcademy ‘will be funny’ according to Alex Kurtzman.

He’s also confirmed at the NYCC panel today that the writer’s room is back at work after the WGA strike.


Given the heavier #thriller background (Absentia) of one showrunner Gaia Violo, and youth supernatural CV (TheMagicians; NancyDrew) of Noga Landau the other, sounds as though Tawny Newsome is there to bring some lightness and fun.


I’m really looking forward to seeing more in the 32nd century StarTrek.


I’m also pleading 🙏 let David Cronenberg’s Kovich be involved.

I would love so much to have some of The Magicians mysterious vibe with so true humour mixed in. Glad to know that they’re going for something less earnest than the tone of Discovery for this show, it didn’t seem to be working in the Discovery episode with Tilly and the cadets.

view more: ‹ prev next ›