StillPaisleyCat

joined 2 years ago
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Amazon took on another 3 seasons of The Expanse with about 130k, Netflix did an additional full 20 episode season of *Star Trek: Prodigy with 35k.

More than that, 32.5 k is a lot for one of these petitions in this amount of time. We don’t know what it will level off at.

The rate of signings is accelerating, with nearly 5k in the past 24 hours.

I wished they’d used an official image. It’s really odd.

But it was the first petition up so it’s the one with traction.

 

cross-posted from: https://startrek.website/post/37577379

The first change.org petition to Renew “Star Trek: Starfleet Academy” for a third season hit 30,000 signatures today, and is over 31,000 at the time of this post.

The one at the post link is the one launched from the UK with the regrettable, unofficial (likely AI) image. But it was up first and has been getting momentum.

There’s another one Renew Star Trek Starfleet Academy for a full season three, with the official key art poster that is about to break 5,000 signatures.

Between these two, Starfleet Academy now has more signatures than did Prodigy when Netflix picked up its second season.

Clearly this is causing consternation among some of those who have opposed the show from the outset. There are now opposing petitions Urge Paramount to shelve Star Trek: Starfleet Academy season two; Keep the Academy series permanently cancelled; and similar. None of these has significant traction.

 

The first change.org petition to Renew “Star Trek: Starfleet Academy” for a third season hit 30,000 signatures today, and is over 31,000 at the time of this post.

The one at the post link is the one launched from the UK with the regrettable, unofficial (likely AI) image. But it was up first and has been getting momentum.

There’s another one Renew Star Trek Starfleet Academy for a full season three, with the official key art poster that is about to break 5,000 signatures.

Between these two, Starfleet Academy now has more signatures than did Prodigy when Netflix picked up its second season.

Clearly this is causing consternation among some of those who have opposed the show from the outset. There are now opposing petitions Urge Paramount to shelve Star Trek: Starfleet Academy season two; Keep the Academy series permanently cancelled; and similar. None of these has significant traction.

This one is coming up on my rewatch list.

I’ll resist looking that stuff up.

Cool. I think I’ll be supporting this one.

I’ve been having fun getting new and interesting games through kickstarter campaigns.

My partner is finding this eye rolling, as I’m roping them and one of our teens into play testing. But, I look forward to taking some of these to our regional gaming convention. It’s nice to be able to offer some fresh games with licensed media.

[–] StillPaisleyCat@startrek.website 2 points 22 hours ago (2 children)

I’m really wondering how Legendary Entertainment is going to reconcile the much more grounded television offerings with the comic style over the top extravaganzas that the later movies became.

The 2027 movie is expected to feature Space Godzilla.

And as you note, there’s the ongoing power ups to Kong — mainly through help from Apex — that leave the Monsterverse franchise wide open to traditional kaiju/Toho fan criticism that its Godzilla is a GINO (Godzilla in name only).

 

Shaw and Suzuki test a “Titan phone” designed to summon Godzilla, triggering an unforeseen event that puts Shaw in the path of his own past.

Once again, a somewhat spoilery official teaser clip has been shared with media — available in this article

 

cross-posted from: https://startrek.website/post/37528189

An interesting analysis of GvK’s place in the industry’s recovery as the COVID-19 pandemic emergency wound down sufficiently that theatres reopened.

Godzilla vs. Kong eventually earned $470 million worldwide, making it a true, unqualified success. It was the first sign that en masse moviegoing could still exist in whatever our new normal would look like.

 

cross-posted from: https://startrek.website/post/37528189

An interesting analysis of GvK’s place in the industry’s recovery as the COVID-19 pandemic emergency wound down sufficiently that theatres reopened.

Godzilla vs. Kong eventually earned $470 million worldwide, making it a true, unqualified success. It was the first sign that en masse moviegoing could still exist in whatever our new normal would look like.

 

An interesting analysis of GvK’s place in the industry’s recovery as the COVID-19 pandemic emergency wound down sufficiently that theatres reopened.

Godzilla vs. Kong eventually earned $470 million worldwide, making it a true, unqualified success. It was the first sign that en masse moviegoing could still exist in whatever our new normal would look like.

One suspects that the communications pros at Amazon-MGM decided that they couldn’t let this story have legs, informed Weir’s agent that he had to make some immediate effort to quell the controversy.

[–] StillPaisleyCat@startrek.website 4 points 1 day ago (2 children)

As a Canadian, I’ not going to rate that highly as an apology.

It’s rather a sorry, not sorry, let’s be buds and talk some (unspecified) time

But it may play differently in a US cultural setting.

It’s interesting that he felt he needed to do that though.

[–] StillPaisleyCat@startrek.website 3 points 1 day ago* (last edited 1 day ago)

Cerebral is definitely not the way I would characterize Weir’s writing.

Middle school or YA science fiction is more like it. I first encountered his work when it was recommended for one of our kids.

It’s popular science level stuff. Fun, popcorn stuff.

I do like and read cerebral science fiction.

As an example for contrast, I would suggest the Machineries of Empire trilogy by Yoon Ha Lee, starting with Ninefox Gambit. It’s more on the speculative mathematicians side but it made me think more about topology and probabilistic spaces than I have had to since grad school. All the intellectual fun without the grind.

[–] StillPaisleyCat@startrek.website 6 points 1 day ago (4 children)

Let’s compare this to Tarantino, Sussman, and many others that have made pitches on the film and television side over the past decade.

They’ve all felt they had a great idea, they’ve been quite public about having pitched it, and they’ve attempted to build up fan interest and momentum.

If Weir had just done the same, I don’t think there’d be any adverse effect. Likely, the opposite in the current environment.

Instead, he took his moment in the sun not to pitch his idea to the public, or say that he had an idea that wasn’t viewed as fitting with where the franchise was then but perhaps it might be reconsidered: He took his moment in the sun to retaliate.

Why would a producer want to risk hearing a pitch from him in future?

This is fairly analogous to banks looking the other way at money laundering.

It points to the need for either more strict reporting and purchasing controls within the firm or more regulation.

Banks have tightened their internal policies to avoid more active government intervention to reduce money laundering.

Investors will get the analogy. A bank that let money laundering go unchecked and is facing scrutiny and a need to change protocols would see an adverse reaction from investors. No reason why Nvidia would not experience the same.

[–] StillPaisleyCat@startrek.website 5 points 1 day ago (6 children)

Don Winslow can speak from his own success, and seems to have a significant and longstanding social media following.

It’s interesting that he’s chosen to use his platform to weigh in on this and say that Weir owes Kurtzman an apology.

I’ve said enough about my own reaction on another thread. Winslow’s reaction makes me wonder if Weir’s transparent retaliation may make studios and production companies unwilling to hear his pitches in future.

My career was in a very different hierarchy but I was always told to be ‘nice to others on my way up if I expect them to be nice to me on my way down.’

 

cross-posted from: https://startrek.website/post/37449530

The sigh from me is wondering why Andy Weir felt it necessary to use a platform like ‘criticaldrinker’ to go out of his way to trash recent Star Trek.

“They didn’t accept my pitch so fuck em,” doesn’t really sell me on putting my dollars and eyeballs towards the success of his movie — no matter a great performance by Ryan Gosling or great production values.

Rather tells me why all Weir’s heros are lone-guy-saves-all-on-his-own tropes.

Quoting Weir in the interview:

Later, Marsden brought up the divisive Star Trek: Starfleet Academy, which Paramount+ recently confirmed will end after its already-shot second season.

“I think we can probably safely never talk about it again,” Marsden quipped. 

“It’s gone baby!” Weir cheerfully agreed. “It’s all gone.” 

Marsden said his advice to Paramount is to de-canonize everything Star Trek from Enterprise onward.

“Okay, you’re a little more severe than I am,” Weir said. “I’ll give you my opinion and I’m just a consumer. I like Strange New Worlds. I think it’s pretty good. I didn’t hate Enterprise. I thought it was kind of weird. Lower Decks I thought was entertaining and fun. All the others, they can go. And here’s another thing: I pitched a Star Trek show to Paramount and I was in Zoom with the showrunners with all the shows and spent a lot of time talking to [executive producer Alex Kurtzman]. I don’t like a lot of the new Trek. He, as a person, is a really nice guy. But at the same time, those shows are shit. He is a nice guy. But they didn’t accept my pitch so, you know, fuck ’em.”

 

The sigh from me is wondering why Andy Weir felt it necessary to use a platform like ‘criticaldrinker’ to go out of his way to trash recent Star Trek.

“They didn’t accept my pitch so, you know, fuck ‘em,” doesn’t really sell me on putting my dollars and eyeballs towards the success of his movie — no matter a great performance by Ryan Gosling or great production values.

Rather tells me why all Weir’s heros are lone-guy-saves-all-on-his-own tropes.

Quoting Weir in the interview:

Later, Marsden brought up the divisive Star Trek: Starfleet Academy, which Paramount+ recently confirmed will end after its already-shot second season.

“I think we can probably safely never talk about it again,” Marsden quipped. 

“It’s gone baby!” Weir cheerfully agreed. “It’s all gone.” 

Marsden said his advice to Paramount is to de-canonize everything Star Trek from Enterprise onward.

“Okay, you’re a little more severe than I am,” Weir said. “I’ll give you my opinion and I’m just a consumer. I like Strange New Worlds. I think it’s pretty good. I didn’t hate Enterprise. I thought it was kind of weird. Lower Decks I thought was entertaining and fun. All the others, they can go. And here’s another thing: I pitched a Star Trek show to Paramount and I was in Zoom with the showrunners with all the shows and spent a lot of time talking to [executive producer Alex Kurtzman]. I don’t like a lot of the new Trek. He, as a person, is a really nice guy. But at the same time, those shows are shit. He is a nice guy. But they didn’t accept my pitch so, you know, fuck ’em.”

 

In Santa Soledad, Titan X becomes a target for Apex, forcing Shaw and the Randas to infiltrate the covert experiment.

Written by: Jeff King

Directed by: Andrew Colville

Welcome to the episode discussion! There is no spoiler protection in episode discussion threads, and spoiler tags are not necessary!

 

ReFrame, the gender equity coalition founded in 2017 by Sundance Institute and WIF (formerly Women in Film), has issued a new study spotlighting a reversal of gender-balanced hiring in film in 2025…

…Progress for directors peaked in 2023, with 20 women and nonbinary directors represented in the Top 100 films. With regard to lead roles, inclusion peaked in 2024, when there were 51 women, including one transgender performer, cited. In 2025, only 11 women directors and just seven women of color in lead roles were represented on IMDbPro’s Top 100 list. There was zero inclusion of transgender or nonbinary individuals as directors or in lead roles.

 

In Santa Soledad, Titan X becomes a target for Apex, forcing Shaw and the Randas to infiltrate the covert experiment.

Once again, a somewhat spoilery official teaser clip has been shared with media — available in this article.

 

cross-posted from: https://startrek.website/post/37146040

While those of us who were already fans of the Monsterverse extended Godzilla universe continuity have been watching Monarch: Legacy of Monsters on AppleTV, it turns out that Amazon Prime has had a licence to stream it until March 31st.

Currently, the second season of this popular action epic is rolling out on Apple TV, but season 1 is one of the most-watched Prime Video shows on the planet at the moment. This brief stint on Prime Video will be short-lived, however, since the series will be removed from Prime Video less than 2 weeks on April 1, 2026. Don't miss your chance to binge this celebrated series before it's gone.

If you’re thinking of giving Monarch a try, and don’t have AppleTV, this may be a good opportunity.

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