MeatPilot

joined 1 week ago
[–] MeatPilot@sh.itjust.works 3 points 18 hours ago

Thanks, I'm got more artists I'm researching I hope to share.

[–] MeatPilot@sh.itjust.works 5 points 21 hours ago

More PG image of "The Marauder" from Evil Dead Rise.

What I pictured in my head, not just one person. But a bunch of people fused together cranking out posts, like that thing. I'd probably not look it up unless you want to be grossed out.

[–] MeatPilot@sh.itjust.works 4 points 23 hours ago

Obviously I'm being hyperbolic, but it does feel like this sometimes.

I dig the culture, I think the dozens of you out there are fine people and I appreciate the tone the majority has established of being open-minded and inclusive.

71
Artist Ian Miller (infosec.pub)
submitted 1 day ago* (last edited 1 day ago) by MeatPilot@sh.itjust.works to c/traditional_art@lemmy.world
 

Ian Miller (born 1946, London) is a British illustrator renowned for his dense, gothic, and surreal pen-and-ink style. Emerging in the early 1970s, he became a defining visual voice in fantasy and science fiction publishing, illustrating works by Ray Bradbury, H.P. Lovecraft, and J.R.R.Tolkien, and contributing to Heavy Metal and early Warhammer concept art.

The artwork used as the thumbnail for this post was created for the book cover "R is for Rocket" written by Ray Bradbury a titan among 20th-century American writers, a titan among 20th-century American writers. This piece was one of Ian Miller’s early commissions at the start of his career. He went on to illustrate additional covers for Bradbury and Lovecraft around this period.

Here, I’m focusing on his early works and later reworks of the same books to highlight his stylistic evolution during the 1970s.

1972 "R is for Rocket" published by Pan Books.

1972 "S is for Space" published by Pan Books.

These covers were later redesigned by Ian Miller for Bantam Books.

1978 "R is for Rocket" published by Bantam Books.

1978 "S is for Space" published by Bantam Books

It’s fascinating to see Miller’s evolution between these editions! From his early surrealism into the darker, more intricate gothic geometry that would become his trademark.

Below are more examples of his art, but I highly encourage exploring his portfolio further and watch his interview. Miller’s work has left a lasting mark on the visual language of science fiction, horror, and fantasy alike. Share your favorites!

[–] MeatPilot@sh.itjust.works 1 points 1 day ago

I shut mine down by overheating it.

[–] MeatPilot@sh.itjust.works 1 points 2 days ago

A straight jacket in the summer makes sense for some.

[–] MeatPilot@sh.itjust.works 21 points 2 days ago* (last edited 2 days ago)

Once you remove the tag the ancient protection seal is broken. Without it the monster that lives under your bed is now allowed on your bed. The monster doesn't eat you or anything. The monster likes to warm it's cold feet on your back and steal all the covers, so it's a terrible sleeping partner.

[–] MeatPilot@sh.itjust.works 7 points 2 days ago

Maybe someone should admit he needs better glasses before printing books at 300% zoom?

[–] MeatPilot@sh.itjust.works 7 points 2 days ago

Do you want Cthulhus, because this is how you'll get Cthulhus.

[–] MeatPilot@sh.itjust.works 47 points 2 days ago* (last edited 2 days ago) (3 children)

I agree it's weirder that people don't recognize poor people as humans with human needs.

It's ok to stop and get a $7 coffee sometimes and still be poor. You are allowed to spend $100 at a bar and be poor. Not everyone is mismanaging their money that got them to be poor, some of them grew up in it and stay that way.

Some poor people know there is no miracles going to pull them out of a shitty situation, doesn't mean they need to live a life of fucking toil and despair. Everyone needs to get off their fucking backs for enjoying a moment of what most well off folks get to enjoy without a thought.

 
23
submitted 2 days ago* (last edited 2 days ago) by MeatPilot@sh.itjust.works to c/scifimemes@lemmy.world
 

Next Stop the Stars
Author Robert Silverberg

First edition cover art by Ed Valigursky and Ed Emshwiller.

 

cross-posted from: https://sh.itjust.works/post/48917334

This artwork by Norm Saunders was created for the 1962 Mars Attacks trading card series from Topps. Based on sketches by Wally Wood and Bob Powell, Saunders painted the final image in oil for Card #17, “Beast And The Beauty”.

An earlier version featured a man in bed, but the published card replaced him with a woman, a common pulp convention of the time to heighten drama and appeal. The series, conceived by Len Brown and Woody Gelman, became infamous for its lurid sci-fi violence and was briefly pulled from stores before gaining cult status.

1962 Mars Attacks series cards

 

This artwork by Norm Saunders was created for the 1962 Mars Attacks trading card series from Topps. Based on sketches by Wally Wood and Bob Powell, Saunders painted the final image in oil for Card #17, “Beast And The Beauty”.

An earlier version featured a man in bed, but the published card replaced him with a woman, a common pulp convention of the time to heighten drama and appeal. The series, conceived by Len Brown and Woody Gelman, became infamous for its lurid sci-fi violence and was briefly pulled from stores before gaining cult status.

1962 Mars Attacks series cards

 

cross-posted from: https://sh.itjust.works/post/48877355

There's a joke here for the observant.

Cover Artist Virgil Finlay

From Fantastic Universe Science Fiction June 1957

Contents

  • "World in the Balance" novelette by Harry Harrison
  • "Holiday" novelette by Marcia Kamien
  • "Ape's Eye View" short story by Robert F. Young
  • "Day of Reckoning" short story by Morton Klass
  • "Commuter's Problem" short story by Harlan Ellison
  • "First Landing" short story by Roger Dee
  • "Terror Over Hollywood" novelette by Robert Bloch
  • "God of the Mist" short story by Evelyn Goldstein
  • "Versus" short story by Edward D. Hoch
  • "Snakes Alive" short story by Henry D. Billings
  • "Rock and Roll on Pluto" short story by Hans Stefan Santesson [as by Stephen Bond]
  • "My Martian Cousin" short story by Mark Reinsberg

--

 

There's a joke here for the observant.

Cover Artist Virgil Finlay

From Fantastic Universe Science Fiction June 1957

Contents

  • "World in the Balance" novelette by Harry Harrison
  • "Holiday" novelette by Marcia Kamien
  • "Ape's Eye View" short story by Robert F. Young
  • "Day of Reckoning" short story by Morton Klass
  • "Commuter's Problem" short story by Harlan Ellison
  • "First Landing" short story by Roger Dee
  • "Terror Over Hollywood" novelette by Robert Bloch
  • "God of the Mist" short story by Evelyn Goldstein
  • "Versus" short story by Edward D. Hoch
  • "Snakes Alive" short story by Henry D. Billings
  • "Rock and Roll on Pluto" short story by Hans Stefan Santesson [as by Stephen Bond]
  • "My Martian Cousin" short story by Mark Reinsberg

--

 

This artwork illustrated by Phillipe Druillet was originally appearing on the cover of Métal Hurlant N° 2, a French comic anthology of science fiction and horror comic stories published by Les Humanoïdes Associés founded in December 1974 by comic artists Mœbius, Jean-Pierre Dionnet, Philippe Druillet and financially backed by Bernard Farkas.

Métal Hurlant predated and inspired the American publication Heavy Metal (1977). Early issues of Heavy Metal directly translated and reprinted stories from Métal Hurlant, featuring the same artists (Moebius, Druillet, Caza, Bilal, etc.).

Phillip Druillet has a fascinating body of work you can explore further on his personal site philippedruillet.com.

View the first issue of Métal Hurlant uploaded to the Internet Archive.

 

This artwork illustrated by Phillipe Druillet was originally appearing on the cover of Métal Hurlant N° 2, a French comic anthology of science fiction and horror comic stories published by Les Humanoïdes Associés founded in December 1974 by comic artists Mœbius, Jean-Pierre Dionnet, Philippe Druillet and financially backed by Bernard Farkas.

Métal Hurlant predated and inspired the American publication Heavy Metal (1977). Early issues of Heavy Metal directly translated and reprinted stories from Métal Hurlant, featuring the same artists (Moebius, Druillet, Caza, Bilal, etc.).

Phillip Druillet has a fascinating body of work you can explore further on his personal site philippedruillet.com.

View the first issue of Métal Hurlant uploaded to the Internet Archive.

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