Khrux

And everyone please stop using it as a forum for the love of God. I have no use for discord as a platform, but every damn FOSS program asking me to go there for troubleshooting is insanity.

I've been super happy with the fairphone 6 after being on various flagship and second grade Samsung phones for a decade.

I'm slightly saddened that my out of the box customisation options are so locked down compared to Samsung, but I'm also aware that the average fairphone buyer is more primed to root and alter their phone due to being on the edges of hobbyist tech. I also miss wireless charging, I'd say I was 50/50 between using wired and wireless charging, with all my cool home automation linked to when I started wireless charging at certain home stations, and wired equivalents just don't hit the same spot.

That's literally my only gripes. My battery's health seems to have performed better in the year since I got it than my Samsung phones did, and everything else is totally comparable. I'm one of the few people who likes Bluetooth headphones so I don't mind the lack of a headphone jack.

I've seen quite a lot recently saying a particularly distracting aspect of phones isn't that they're a screen and a visual stimulus, but a tool and a haptic stimulus.

An increasingly popular way to combat checking your phone while watching TV is to busy your hands with something. If this works and is widely adopted, we won't need shows to have second-screen writing repetition; our brains tell our hands to use the tool, and it just so happens that the tool is full of text and speech and occupies the language center of our brains, meaning we stop listening to the show.

Also, a whole separate thing I often think about, before 2010, there were very few high budget TV shows. TV was made on a much smaller budget than film, and the writing often took a hit too, and that was just the reality of watching TV. They were also designed to hook people who were clicking around channels with lots of recaps and narrative refreshers, for people tuning in halfway through, this is like the second-screen writing issues we complain about now on steroids, straight to TV movies were also terrible for this.

Movies that were designed for Cinema revenue weren't impacted by this or course, but even DVD revenue movies often have simpler plots and reiterate their narratives for people who are half watching while chatting or stoned or whatever.

It's just a verb that means to (frequently) masturbate to porn.

I do agree entirely. If I could use the internet of 2015 I would, but I can't do so in a practical way that isn't much more tedious than asking an LLM.

My options are the least rancid butter of the rancid butter restaurants or I churn my own. I'd love to churn my own and daydream of it, but I am busy, and can barely manage to die on every other hill I've chosen.

Compared to crypto and NFTs, there is at least something in this mix, not that I could identify it.

I've become increasingly comfortable with LLM usage, to the point that myself from last year would hate me. Compared to projects I used to do with where I'd be deep into Google Reddit and Wikipedia, ChatGPT gives me pretty good answers much more quickly, and far more tailored to my needs.

I'm getting into home labs, and currently everything I have runs on ass old laptops and phones, but I do daydream if the day where I can run an ethically and sustainably trained, LLM myself that compares to current GPT-5 because as much as I hate to say it, it's really useful to my life to have a sometimes incorrect but overalls knowledgeable voice that's perpetually ready to support me.

The irony is that I'll never build a server that can run a local LLM due to the price hikes caused by the technology in the first place.

I heard a theory (that I don't believe, but still) that Deepseek is only competitive to lock the USA into a false AI race.

I don't really think there's ever a pass to staring at anyone's chest except a partner or a very specific friendship energy.

As much as I don't disagree, I think the "Apple is closest to Nazism" comment touches on something different. Other massive American companies have awful practices but they don't care particularly how their way of making money looks. Apple wields a specific aesthetic power that generally dictates a hegemonic uniformity, that strays the line of being to their detriment at times. I don't think any other big tech company would care in the same way if not for their desire to copy Apple.

I'd love to see US bases go, but I'm not convinced a lack of trust in America would be the tipping point when they haven't behaved in a trustworthy way ever really. America would find some way to make any country that rejected a US military presence experience difficulty, be that via tariffs or vague threats about their military absence.

I don't mind it being deep, just don't fill it with your actions and deeds. A big part of fun for TTRPGs is 'play away from the table', which for the players is typically making art, backstory or builds for current or future characters. Most long backstories I read don't invalidate a level 1 character but mostly explore values, just as my real life story could be as deep as I choose to write it and I'd not even have the skills to be level 1.

My suggestion is:

• Get people together for a session 0. Only pitch the campaign and tone then, if not construct it collaboratively too.

• Hand out pieces of paper or card face down, have each player take 1, and ensure there is one between each player. These cards say Love, ally, rival, or enemy.

• Explain that players should make an NPC for their backstory that matches this word, and should make a shared NPC with the person next to them based on the card between them.

• Now let them take another card of their choice. They can either make another NPC with this, or use it to make the relationship to one of their shared NPCs asymmetrical.

• They can design their NPCs and backstory now or before session 1, up to them.

Finally, explore what the players can choose to do to contribute between sessions to the game. If they don't do anything, that's fine, but they should have a way to meaningful contribute to something. Typically I encourage world building and cultural lore, such as unique foods and why that has a thematic resonance.

This is hard to structure, I had a player who was a former forever DM, who played a knowledgeable librarian in a former monster hunter guild. I asked her to make some monster statblocks, as she'd know them inside and out in character.

My advice to players:

Make your backstory show that your character has done no huge deeds yet, and most importantly, have everything that matters in it revolve around NPCs. Not just is this the best drama, but NPCs can move, join factions, be redeemed, betray you, die and everything else.

• That cost halfling village you design that perfectly exemplifies your character, but will never be seen in this urban campaign halfway across the continent? Make the most important part of it the mayor's daughter who happens to be your childhood friend.

• The strange necklace that made you stronger but more angry when you wore it? The final time you saw it was when your brother stormed out of your co-owned business after a bitter argument.

• The lord who helped you smuggle your liquor into the city? That's the same lord that wrongfully imprisoned the player character next to you.

One of my favourite scenes from a campaign came when a player, after spending a session getting the chance to meet with a resistance leader, turned to the others and said "this is my ex-wife". That whole dynamic was interesting too, as both had come from a warrior culture and initially parted due to neither being the "strong warrior", now both trying to fight against that same faction a decade later.

My all time favourite NPC was a talented tailor in an urban campaign, who owed one player character a favour and was generally fond of them all. Nothing like the party having a go to guy for fancy or silly outfit amendments.