JohnnyEnzyme

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[–] JohnnyEnzyme@piefed.social 2 points 2 hours ago

Answering the real questions!

[–] JohnnyEnzyme@piefed.social 15 points 4 hours ago* (last edited 2 hours ago)

So on the one hand it sounds like the library made the draconian-style decision without anyone else's input, and at the same time, Kråkström just kind of rolled over on his back and did CEO things, talking about "healthy societal discussion," but offering no actual debate or pushback.

Kinda makes me wish that when someone objects to something on 'racist' and other controversial terms, that it would be nice if they could be asked to write a little essay explaining precisely what was racist / offensive / etc about the matter, if indeed they were actually insisting that changes be made for the 'good of society.'

Otherwise it's all just "healthy societal discussion," mais non..?

[–] JohnnyEnzyme@piefed.social 2 points 21 hours ago (1 children)

Which is a big part of why I said "it's the Dutch."

I don't know anything about this being an 'infrastructure canary,' however. TBH, I'd tend to hope that they don't assign nearly the specialised resources to this project as they do far more critical works. Because this is mostly just a fun little project, right..?

 

[NOTE: "The Battle of Vicksburg, MS" was more-accurately described as a whole series of skirmishes & battles, ending with a notable siege.]


Oof, I guess this might make for an upsetting or somewhat controversial post, but I figured it best to stick to the facts rather than omit significant details. Or worse yet, try to whitewash the whole affair. Now, while it's true that the classic, Belgian-produced Les tuniques Bleues is 'merely a comic book series,' there's just no escaping that it directly depicts the outrageously awful American Civil War, even while portraying it in an innocent, cartoony way.


Bottom half of the page above. (source: Imgur)

So, yeah... across the past few centuries, I think you'd be hard-pressed to find a more awful conflict than the ACW, unless it might be the two World Wars. It was fought over a dreadful premise-- that of the industrialised, generally Northern States & the Federal Government fighting to prevent a group of generally Southern States from breaking away, which they did expressly for the purposes of maintaining the practice of slavery, which of course was deeply integrated in to their culture and economies.


The first couple books. (source: BDT)

I think a big part of what made the whole affair so awful is that the US had still not abolished slavery by the war's start (~1860), whilst most other major nations had already done so years before... some as early as the 1500's. So the US was in an arguably terribly embarrassing global position at the time, especially being nominally the very first modern democracy, with some famous, documented statements loudly trumpeting the fundamental rights of man(!) <TUSDoI> <TUSBoR>


The two leads, Sgt. Chesterfield
and Cpl. Blutch. (source: WP)

Even worse, here you had a regional peoples across a network of States who were largely not embarrassed about slavery, who very much wanted to continue the practice as long as possible. Of course, publicly they tended to avoid saying that in a leading-cause sense, instead talking about "States Rights," which became something of their self-righteous, strangely-hollow battle cry. Dig slightly deeper in to most of their official grievance & separation documents, however, and it became very clear what they were actually after.


Another day, another battle (source: BDT)

Another dreadful, different aspect of the war is that it resulted in the highest number of casualties for any war involving the United States. It's estimated that 620,000 to 750,000 soldiers died in the conflict, surpassing the combined casualties of all other American wars, including both WW's. Much of those totals were specifically due to disease (such as terrible prison conditions, especially in the South), as well as new, deadlier weaponry combined with outdated military tactics, such as traditional, massed formations.


A T1 page (1972) vs. a T68 page (2024) page

As with most (or all?) civil wars, the conflict also tore the country apart, not just pitting family members, colleagues and dear friends against each other, but creating (or perhaps "highlighting") a deep, fundamental divide between various ideologies in The States, which arguably has been nothing but magnified over time, persisting and even thriving today, with misinformation all too common a thread.

Anyway, much more can and already has been said about the war itself, so let's move on to some specifics about what this series is actually like:


Crossing a ford. (source: "time-to-collect")

Well, I've read a couple albums now, and so far have found it more or less to be light adventure combined with silly humour. The pairing of Chesterfield & Blutch function as something of a classic, comedy duo formula, with the Sgt. in the 'stiff-but-responsible' role, and the Cpl. in the 'cowardly-but-unpredictably-creative' role. Likely, you can easily name half a dozen counterpart examples of your own across any number of genres, eh? I suppose my point here is that this is not a series about character development, but moreso about Vaudevillian-esque characters doing their thing amidst a stressful, super-dangerous conflict.

Now, as for the troubling background themes of the ACW, they're not tackled directly too much, rendering this fairly upper-middle-tier BD fare on the whole, I'd say. Somewhere in the ballpark of "Spirou," perhaps, with the characters being a little less memorable, and far less free-ranging. After all-- just about every setting in the series occurs in the Eastern and Midwest USA, during the tight, four-year timeframe of the civil war.

Remarkably, the series spans well over fifty years now in total publishing time, across a whopping 68 main books and ~10 tomes of special-content editions.


Right, so-- hopefully I'll have more later on specific Bluecoats adventures. And BTW, one last thing I wanted to do is to note some other titles people may want to check out:


Similar works. (source: Imgur)

BD has long tackled the ACW through both humor and gravitas. The Bluecoats is perhaps the flagship series; but less comedic works such as Mac Coy, Virginia, Le Chariot de Thespis* and La sale Guerre de Sécession explore more complex themes and perspectives, all while delivering strong visuals anchored in historical settings. --GPT with JE edits


Ooh, AND HEY-- this posting just so happens to mark the precise, two-year anniversary of this sub/community. It's not exactly what I'd intended to mark the occasion with, but ah well. :S More on the anniversary later!

[–] JohnnyEnzyme@piefed.social 2 points 23 hours ago (3 children)

Seems ever-so-slightly concerning that the mechanisms for preventing the bridge from overflowing are based solely on dams and pumps working. I.e., as opposed to building the bridge to float as necessary. Seems like that would be more versatile and lower-maintenance. *shrug* Then again: 1) it's the Dutch, and 2) it's only a man-made moat/lake, so what's the worst that could happen?

Another, more relevant rabbit hole I'm skirting at the moment is reading about how Holland deals with the potential of mosquito populations, which seems like it could be vast for a country like that.

Also, presuming Native Americans to be "a people" (as in, homogeneous and unite-able) overlooks that they themselves frequently felt completely at odds with other, regional tribes & peoples. So, 'divide & conquer' usually wasn't necessary for the Euro invaders.

Also, in quite a few cases, some tribes would actually fight alongside various Euro factions against other Euros and other tribes.

@SassyRamen@lemmy.world

From what I understand, this was originally a royal residence of Ada, Countess of Holland. The walls make sense, as she was later deposed by her paternal uncle.

At first I was kind of skeptical about this smallish structure truly being a "castle," but:

A castle is a type of fortified structure built during the Middle Ages predominantly by the nobility or royalty and by military orders. Scholars usually consider a castle to be the private fortified residence of a lord or noble. This is distinct from a mansion, palace, and villa, whose main purpose was exclusively for pleasance and are not primarily fortresses but may be fortified.

Use of the term has varied over time and, sometimes, has also been applied to structures such as hill forts and 19th- and 20th-century homes built to resemble castles. Over the Middle Ages, when genuine castles were built, they took on a great many forms with many different features, although some, such as curtain walls, arrowslits, and portcullises, were commonplace. --WP

So I guess there are 'castles' and 'genuine castles,' FWIW.

[–] JohnnyEnzyme@piefed.social 2 points 3 days ago (1 children)

Well, thank you for all that you did! (I really, really appreciate that)

Sure, I'm willing to do anything I can to help the FV project. I mean, I'm not very technically-oriented myself, but I do my best to create and maintain fun / interesting projects like EGN, for what that's worth. For example:

https://piefed.social/c/eurographicnovels

[–] JohnnyEnzyme@piefed.social 2 points 3 days ago (1 children)

Could you link me, please?

[–] JohnnyEnzyme@piefed.social 2 points 3 days ago

Hmm... I think they're mostly self-contained, implying that they can generally be read in any order. (except for the later 'stone troll' story, which is frankly kind of rough to read)

That said, I do think it makes the most sense to read them in order, provided you have opportunity.

 

To be clear, "PieFed" is both Lemmy-adjacent software and a P2P network that integrates right in to the FV across all useful measures. Specifically, my community moved from "Lemmy" (our beloved, tragic "Lemm.ee" instance) when it announced that it was going down, and PieFed seemed to be the one and only possibility to both preserve and re-launch our content.

So... yeah, cool!

Only problem? Well, when that happened, we also got instantly disappeared from various lists. For example, believe it or not, we used to be the #2 ranked "GN" (graphic novel) listed upon the Fediverse. And now?

https://lemmyverse.net/communities?query=graphic+novels

Not even the faintest whiff upon us, anymore.

So yeah... what to do, what to do...?

 

Er, haha... actually it seems to have come out last year. The publisher is the usual Flying Eye Books, basé à Londres. What specifically excites me about this one is that it's evidently the first full Hilda GN to come out in five years! (I take it that author Luke Pearson spent most of that intermediate time working on the Netflix show) Also of note is that the story seems to be a prequel, which takes place before the first official story, i.e. 2010's "Hilda and the Troll".

Now, the "Hilda" books are nominally all-ages kids' fare, but to my mind, Pearson is incredibly clever about avoiding any of the typical, pandering traps that childrens' content-creators sometimes fall in to, not unlike say other kids'-lit geniuses such as Maurice Sendak and Dr. Seuss (well, more or less). My point is that as adults reading 'childrens books' like this, these are the kind of works that are deeply satisfying to read on many levels, and pull no punches in the scheme of things, so to speak.

Or something like that...

Here's an earlier sequence I shared a while back:
https://piefed.social/post/364368

[–] JohnnyEnzyme@piefed.social 2 points 5 days ago

Excellent, thanks!

[–] JohnnyEnzyme@piefed.social 3 points 5 days ago (2 children)

OP, I forgot to ask-- do you have any non-superhero favorites from the list? Anything you feel particularly unique or especially worth recommending?

Btw, my own sub is here, in case Euro comics are of interest:
https://piefed.social/c/eurographicnovels

[–] JohnnyEnzyme@piefed.social 6 points 5 days ago

Haha, nice.
I appreciate the authentic accent-marks, too!

Hmm, I have a small, amusing collection of gender-swapped BD characters I've been meaning to organise and post. May this serve as an excellent little reminder to get mine arse in gear!

 

Welp, here's lookin' at you, kid. It's my 2nd attempt to do a scheduled post, and hopefully it works this time. There's also several points of interest, here:

  • I bumped in to this page on Horacio Altuna's excellent art stream and was struck by how different Mousse's style was here, compared to the lush, wild-ride pastels of Pastorius Grant, which honestly kind of baffled me, story-wise.
  • Here, the art reminded me a good bit of Argentinian Eduardo Risso's stuff, which in itself reminds me of Frank Miller's early style. Are these imitative works, tributes, or is it not worth making such comparisons in the first place? Hmm.
  • Anyway, what mainly struck me is that silent-era and early-'soundy' movie star Louise Brooks evidently has a BD bio! 😃 Me, I've watched a couple of her free movies on YT and found them surprisingly entertaining. (check 'em out, ey?)
  • And then I read her WP bio, finding it quite fascinating, if also saddening and tragic. In short, like many actresses across the years, I feel that she wasn't treated with nearly the same leeway as her male peers. In fact, her laudably innovative acting in the soundy-era seemed to offend American audiences at the time, whereas someone later like Marlon Brando was embraced for a similar approach(!)
 

To nobody's surprise (haha), I've got various notes on this one:

  • I tried this as a "WebP" this time, which should improve quality and reduce file size going forward. Various places have problems with that format, but it seems to be okay here, and I believe at the PixelFed instance, too, which should help me move away from (the chronically unreliable) Imgur, in general.
  • I couldn't find the proper source or original title for this piece, so that's just me above coming up with a likely name. It's certainly a Martin work though, which can be confirmed by his siggy near the lower-right margin. Btw, one prior Martin piece I shared here was "P'pa! Ta braguette...!".
  • Specific thanks to artist-creator Horacio Altuna for help identifying this one. If you're unfamiliar with his work, Altuna's probably best known for tasteful, erotic farce. Indeed, he's something of a legend at this point, so check out that Lambiek link above for more info. He's also got a great Twitter stream in which he routinely features cool stuff by other artists. The feed's been helpfully de-shittified, and can be browsed HERE.
  • There's also an 'AI' issue here, and I'll explain: First, I used the nifty online tool "Waifu" to upscale the art and remove artifacts, then I manually darkened the lighting and bumped up the saturation a smidgen. And then I leaned in to ChatGPT to help confirm some of my thoughts about the piece, namely that it's set during and in WWI's Western Front, and depicts the French army moving in and out of a major city in NE France or Belgium. GPT postulated that it doesn't seem to be a specific city, but might be styled after Verdun, Arras, Reims or Metz.
  • I've been occasionally murdered here (and elsewhere) for leaning too hard in to AI tools to lead or assist with various projects, but I must say... without such tools, this particular artwork would be much lesser in quality, and I'd have much less info to share about it. FWIW!
 

A few weeks back, I wrote a mini-article on r/BD about Goscinny's episodic series Iznogoud. After a good amount of feedback there, I wanted to update the article and post it here on EGN, but before doing so, figured it would be a good idea to read a couple classic Astérix albums so as to compare and contrast stylistic and other differences.

So then, the following is a fun little sequence that I guess we can all relate to. It's from the 10th album Astérix légionnaire, originally appearing in "Pilote" magazine, and later collected in to an album in 1967.


(zoom or right-click-open)


On the personal front, the past week has been a rather exhausting, sleep-deprived personal stretch, visiting with relatives and attending to medical issues, both. My effusive thanks to @cyrano@lemmy.dbzer0.com for helping with posting during that period! <3

Indeed, our two-year anniversary is coming up on Aug 1st, and I hope to get something together to mark that. Whoof, I guess we'll see...

Btw, on the personal front that directly relates to this sub-Pie/community: so far I've been laboring with a ~10yr-old PC running WinX, and with each passing month, it's been more and more like slogging through molasses (or treacle, for the UK). There's also the fact that M$ is evidently pulling support for Win10 in October.


So I finally... finally got myself a newer system. It's a Win11-installed, "Minis-Forum" UM760 slim PC, with a seemingly capable CPU (AMD Ryzen 5 7640HS I think), solid RAM (16GB DDR5), 1TB SSD, and built-in graphics card of Radeon 760M, all for about... $US300.

It's also HILARIOUSLY tiny, to the tune of... hmm, let's see... IMAGES: https://www.google.com/search?q=minisforum+computer+%22UM760%22+slim&udm=2

Two inches x five & 1/8" x 5". Which in metric that would be... 50.8mm x ~130mm x 127mm. So the size of a small postage stamp on steroids, I guess. 😂

GO, postage stamp, GO...!
And yet, this particular unit seems to earn pretty consistent, stellar views from all over the place. So what's the deal, mon? Where's the catch? Well, the most obvious critique seems to relate to the small number of ports and the limited expansion capability. *FAIR*

Anyway, this is getting a bit rambly here, so let's wrap it up: I still have ~two weeks to take this thing back, and I'm still working on getting it integrated properly, but one of the things I'm rather excited about is converting it to a dual-boot Linux machine, free from the M$ tyranny. And of course, it's going to be SOOOO much more powerful and pleasant to work with in terms of browsing, reading, and creating BD content. Which should directly relate to my ease-of-content contributions upon on our sub, believe it or not...

That said, if you have any concerns or doubts for me, moving on to this new, little postage stamp PC, please do speak up? 🤔

 

Daggit, I thought I'd scheduled this post for earlier yesterday, whilst my step-dad has been visiting me for the past few days.

(eh, I could use a little help for the next few days with content creation)

In any case, here's Jake Wyatt's cool body of work, more or less:
https://www.deviantart.com/jakewyatt/gallery

Thanks, mates!
(I'm a bit temporarily distracted, these days)

 

Hoppe is a Polish-German artist currently working in Brooklyn. His site:

https://paulhoppe.de/

 

As for the above, Mssr De MesMaeker is of course one of Spirou Magazine's most important clients, perpetually on the verge of signing lucrative contracts with office-boss Fantasio.

For those unfamiliar with this classic André Franquin series, it's a spinoff of Spirou et Fantasio, set in a cartoon depiction of the real-life Spirou offices in Brussels. The main character is "Gaston Lagaffe," a lazy, accident-prone, yet relentlessly inventive junior office worker who reports to Fantasio.

Unlike some of the longer narratives seen in S&F, this comic simply aims for light, familiar, amiable humor. It's not necessarily wickedly clever nor side-splitting, rather the pleasure mostly comes from seeing whatever lunatic scheme Gaston is working on, usually to someone's detriment.

Btw, these all come from Cinebook's Mind the Goof album, in which Gaston's name is translated to "Gomer Goof" for English-speaking audiences. To me that happens to sound ridiculous, but oh well.

Certainly, one of the first questions any reader will ask is: why the hell wasn't Gaston fired long, long ago? Or: is Fantasio the most patient, long-suffering boss in the world, with a natural immunity to cardiovascular events?

Gaston's *official* backstory is that one day he showed up in the mailroom, started working, and for whatever reasons got hired. But let's face it-- he's almost certainly a 'nepo-baby,' and the whole office is simply forced to put up with his antics, other than Miss Jeanne (seen above), who thinks he's a genius.

Haha. Gotta love it when the tables turn, as with these last two...

 

Pretty wild panel I thought worth sharing! And from publisher Humanoids page:

Things are not going well for Commander Kaimann. Luz, the love of his life, is dead, his home of Tortuga destroyed, his crew ghostly apparitions, and his crocodilian mutation taking over more and more of his body -- Kaimann is fighting for his life on multiple fronts. Just when it seems like despair may overtake him, a chance encounter with a strange violin connects him to Aurora, a woman living in a future where she is staring down almost certain destruction...

With his passions renewed, Kaimann hatches a bold plan to find a cure for his mutation and a future with his newfound love. However, Kaimann’s past is catching up with him, and Aurora’s future. --[link]

More imagery here:
https://www.google.com/search?q=The+Incal+Dying+Star&udm=2

Also worth mentioning is that I thought writer Dan Watters did a downright remarkable job emulating the style of Alejandro Jodorowsky. It's uncanny, really.

Oh, btw-- Humanoids claims that this book is in the works to become a film, overseen by Taika Waititi ("Thor: Ragnarok").


As a nice little bonus, the book included a two-page 'reading order' list of the various Incal works, which have built up in to quite the impressive collection over the years. I believe this brings us up to 2025's chronology:

 

That's Enchanted Forest, above.

(zoom or right-click-open as needed)


Misty Moors

She's an independent artist, illustrator and photographer based in Finland.


The Night Garden

"I mostly make dream-like illustrations with fairytale, fantasy and nature themes. I work in a variety of styles that are based on various kinds of tools and techniques. I paint with watercolours or varied types of inks, and I draw with pens or coloured pencils."


Escape

"I mix traditional techniques a lot, and some of my works are partly digital. Even when I finish pieces in Photoshop, I like to do it by editing and combining drawings and textures that I’ve first created traditionally."


Valley at Full Moon

"Wild nature is definitely the most inspiring thing. Old-growth forests are an endless source of ideas, magic and peace of mind, and I try to visit the woods as often as possible. I also use my innate life as a fuel for my work – things like my dreams, memories, fears and hopes – but the way they sneak into my art tends to be subliminal, rather than intentional."


Wilderness

Full interview here:
https://blog.society6.com/now-view-ulla-thynell/


Swamp Tale

And her site:
https://ullathynell.com/

Note: slight edits above for brevity & clarity.

 

The above image jumped out to me on Pinterest of all places, in which I was simply enjoying the pleasant "LC" style. (for anyone unsure about the meaning of "LC," please see sidebar)

But dad-gum it, looking a little closer, this seemed to be from the age-old The Spirit franchise. I mean, I thought that one had concluded long before creator Will Eisner's death, with it's classic run being from ~1940 to the early 50's, or so.

But, no... turns out that unlike some properties (such as Tintin), the Eisner estate evidently allowed The Spirit to be continued on in to modern times, with DC comics being the publisher behind this particular issue:


https://i.imgur.com/PRLjU4O.jpeg

What's interesting here is that our lead image is like an LC-styled version of the official cover, with significant little differences everywhere you look, and yet it *still* seems to be by the same artist, "Moritat," i.e. American Justin Norman clocking in with a Euro-style pen-name.

But let's backtrack a bit when it comes to my assertion that Europe 'loved' The Spirit. Like... why would that be, man? For example, from Lambiek:

In Europe, Eisner gained followers in the U.K. (Alan Moore, NG), The Netherlands (Stefan de Groot, Gleever, Erik Kriek, Minck Oosterveer, Peter Pontiac, Joost Swarte, Typex, Piet Wijn), Belgium (Steven De Rie), Germany (Flix), Switzerland (Zep) and Spain (Belatz, Julio Ribera).

Personally, I also have a folder of Spirit-style tributes from various BD authors, which I'd never quite thought to post before or put more thought in to, yet today's finding explains a lot to me, I think.


https://i.imgur.com/KVXfeSZ.jpeg

Now, the above is totally, classically Spirit to me, lol. That is-- physically, he's a big, strong, two-fisted action-hero, with a good, thinking mind, but Eisner was a downright genius at depicting what a miserable failure all that could add up to as an 'urban hero,' of sorts.

And that is perhaps part of the key, I suspect. I.e. the Europe of the 40's and 50's had no use for 'American superheroes' of the day, which I suppose would be totally invincible-types such as Captain Marvel and Superman, et al. I would guess (and I could be totally wrong), but fantasy heroics was relatively useless to Euro audiences, which cemented perhaps a kind of shift towards the 'amusing everyman,' such as Tintin, Spirou, and countless others who essentially had to navigate their way mainly via resourcefulness, cleverness, and so forth.


TBH, this is kind of a shitty post, in which I'm trying to cover two main topics, and neither of them very well. So for one thing, I'd say just go here for more on the genius of Eisner, and how he evolved comics storytelling in the overall sense:

https://www.lambiek.net/artists/e/eisner.htm


But here's one last little comment upon DC handling the Spirit franchise:


https://i.imgur.com/4yrp3mY.jpeg

Dang, I love that colorful, bright lettering! Oof... and I actually *did* read through the entire 20pp comic book, and found it some of the most miserable fare, ever. I.e., a two-fisted anachronism socking out dozens of gun-carrying gang-members, inspired by the rescue of 'the princess.'

Eh, que ridícula. Show me the money, Lebowski!

NOTE: the above post was written while conspicuously sleep-deprived, but what the hey... content is content, lol.

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