DrinkMonkey

joined 2 years ago
[–] DrinkMonkey@lemmy.ca 4 points 1 year ago (1 children)

Why do you believe that judges (or even juries made of lay people) can make sense of the very things that you’re so confident legislators or regulators cannot?

I’m not saying regulation is perfect, and as a result, certainly there is a role for judicial review. But come on, man…lots of non sequiturs and straw dogs in your argument.

[–] DrinkMonkey@lemmy.ca 3 points 1 year ago

That’s more of a Shelbyville idea

[–] DrinkMonkey@lemmy.ca 7 points 1 year ago (3 children)

Or maybe, like, regulation?

[–] DrinkMonkey@lemmy.ca 0 points 1 year ago (1 children)

You can absolutely set up an AppleTV with no other Apple device in your possession. It is a very good player for many things but much of this is dependent on your choice of application. For compatibility and no transcoding, Infuse is the best I’ve found, provided it’s pointed at a Jellyfin instance. Not a great choice just pointed at a local or cloud SMB share (though possible) as its cache gets cleared frequently.

AFAIK, Shield Pro remains the only option that can play back Atmos from ripped media, but would be happy to be corrected on this.

[–] DrinkMonkey@lemmy.ca 6 points 1 year ago

I used this line when cancelling with my ISP. The chat agent didn’t get the reference but responded with an “oh my” (or equivalent, I don’t really remember the details).

[–] DrinkMonkey@lemmy.ca 7 points 1 year ago

…and you…and you…and you…

[–] DrinkMonkey@lemmy.ca 0 points 1 year ago

Darn. I have no idea where I got my code and don’t have one to share (I just looked on my profile). It looks like others have helped out. FYI the latest 4K version (1.0) is from February…

[–] DrinkMonkey@lemmy.ca 3 points 1 year ago (5 children)

There are multiple versions. I suggest you get these from the official site (free, but donations support the cost of equipment, purchasing film reels, and HDD space) and make sure you have the most recent 4K version. I don’t think you will know with certainty which version you have if you try to get this through other means.

I get the sense it was a tricky restoration due to the film stock (and film scanning equipment) they had available, which was spread across 16mm, Kodak 35mm, and Fuji 35mm (which had better colour preservation but was incomplete). They explain it much better on their website, but it is an iterative process, and earlier versions might have a different quality.

[–] DrinkMonkey@lemmy.ca 6 points 1 year ago

Bill Lawrence is just really, really good at writing authentic relationships.

[–] DrinkMonkey@lemmy.ca 1 points 1 year ago

I guess it depends on the piece. Is the movie trying to be entertainment or art?

Certain kinds of art are definitely "not for me", yet are entertaining to some. And I still consider the films I find entertaining to be "art". I wonder if this is a false dichotomy?

Addendum: I will admit that well written characters and dialog isn’t as easy to come by in Hollywood media. But movies that mainly focus on the writing and are great do exist.

I find it helpful to not conflate good writing, good characters, and good dialogue. A story does not require dialogue to have its plot be propelled forward, to make us feel what is at stake is important, to make us care deeply about what happens to the characters (e.g. A Quiet Place, Wall-E, for example). Similarly, excellent dialogue simply isn't possible if the audience doesn't care about the characters nor the stakes - the words will simply fall flat. It's all connected, and there is considerably more to writing than dialogue.

[–] DrinkMonkey@lemmy.ca 3 points 1 year ago

Carla was the prom queen…

[–] DrinkMonkey@lemmy.ca 9 points 1 year ago (2 children)

The spinning top totem at the end of Inception. Neo stopping the bullets in The Matrix. The first shot of the dinosaurs in Jurassic Park. The Nazis’ faces melting in Raiders.

Dialogue can be wonderful. But visual storytelling that treats the audience with respect is what cinema is all about.

Check out the (now defunct) YouTube channel Every Frame a Painting. The video on Drive in particular opened my eyes to how Refn composes shots to incredible effect.

And it is NOT about capturing “pretty” scenes, but about manipulating the viewer’s emotions in ways they do not even perceive.

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