this post was submitted on 01 Apr 2026
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I haven't listened to her before, and didn't have any expectations from that record, but was pleasantly surprised and enjoyed most of the songs. Her voice is amazing, production is pretty solid, but what excited me the most is the messages she conveyed in every song on the record. I couldn't expect such emotional, raw, and angry reflection on the social topics in a mainstream (?) pop album. And that really resonated within me because of, you know, everything happening in the world now. But somewhat ironically, I felt that lyrics is also the weakest part of her work. They aren't terrible, there were no hilariously bad lines people shared last year after another big pop release (no name-dropping here). But it lacks consistency: after powerful and touching lines there are drops to the level of annoying twitter banters. The most telling example — "white Jesus" / "white God" figure — it's not brand new, and widely used in the critique of racist "christians". Here it appears multiple songs, and it would strike stronger if used (at least, pronounced so directly) more carefully. Same with using strong words like "incel" or "racist". Don't get me wrong — I'm all for calling racists racists. But again, these words are firmly associated with shit storms and flame wars on twitter, and she could choose wittier expressions.

Another pet peeve — "preachy" lyrics. Uncanny Valley is one of my favs, but it could be better and darker without the part reminding us that "beauty comes in every form" (in case we don't get the sarcasm). She could perfectly describe a complex domestic violence topic without labouring the obvious in absolutely great Posession, why not here?

Speaking of amazing songs, these are my favourites: Monopoly Man, Possession, Batshit Intelligence, Gutter, Disney Princess, and Uncanny Valley. All earworms, and perfect material to channel my emotions.

Least favourite: Chatroom, The Vatican.

My album rating is 8/10, and it's currently my AOTY (tied with Gorillaz).

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