this post was submitted on 29 Oct 2025
20 points (100.0% liked)

Art

410 readers
6 users here now

THE Lemmy community for visual arts. Paintings, sculptures, photography, architecture are all welcome amongst others.

Rules:

  1. Follow instance rules.
  2. When possible, mention artist and title.
  3. AI posts must be tagged as such.
  4. Original works are absolutely welcome. Oc tag would be appreciated.
  5. Conversations about the arts are just as welcome.
  6. Posts must be fine arts and not furry drawings and fan art.

founded 2 weeks ago
MODERATORS
 

Among the most celebrated works of art at The Met, this painting conveys Rembrandt’s meditation on the meaning of fame. The richly clad Greek philosopher Aristotle (384–322 BCE) rests his hand pensively on a bust of Homer, the epic poet who had attained literary immortality with his Iliad and Odyssey centuries before. Aristotle wears a gold medallion with a portrait of his powerful pupil, Alexander the Great—perhaps the philosopher is weighing his own worldly success against Homer’s timeless achievement. Although the work has come to be considered quintessentially Dutch, it was painted for a Sicilian patron at a moment when Rembrandt’s signature style, with its dark palette and almost sculptural buildup of paint, was beginning to fall out of fashion in Amsterdam.

The met.

top 5 comments
sorted by: hot top controversial new old
[–] JohnnyEnzyme@piefed.social 2 points 6 days ago (1 children)

I dunno... looks about as contemporary as one could possibly imagine to Rembrandt. Not really getting much Aristotle or Ancient Greek vibes, there... but I guess that was common, acceptable practice for the time?

[–] SnokenKeekaGuard@lemmy.dbzer0.com 2 points 6 days ago (1 children)

The subject matter is classical. The artstyle remains his own.

[–] JohnnyEnzyme@piefed.social 2 points 6 days ago (1 children)

Granted.

Guess it just aged like milk for me, not unlike the many hilarious depictions of "Jesus" as a tall, white Anglo-Saxon, with beautiful, flowing auburn locks, and metrosexual-style beard, all dressed up in beautiful white robes.

"Yep, Bobby, that's your authentic Semitic carpenter from 2000yrs ago." XD

[–] SnokenKeekaGuard@lemmy.dbzer0.com 2 points 6 days ago (1 children)

I actually don't mind those depictions at all. And the reason is that everyone incorporates religious figures into their own cultures. Ive posted a series of Chinese paintings depicting Jesus too. And guess what, doesn't look like quite as realistic as you'd think.

[–] JohnnyEnzyme@piefed.social 1 points 6 days ago

Well, sure... but there's a vast, cultural distance in that case, and I'd personally feel foolish expecting much 'authenticity,' there. In fact I tend to prefer 'seeing things though their eyes,' if that makes sense.

To me, what's different in the Rembrandt - Aristotle case above is that W.Civ flowed DIRECTLY out of Greco-Roman roots, so outside of contemporary artistic urgency and merit (as we alluded to above), the OP piece has a ridiculous, white-washing quality to it that's never going to sit very well with me. FWIW.