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A community focused on discussions on movies. Besides usual movie news, the following threads are welcome
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2024 discussion threads
Harlan Ellison once wrote about 'fuck you' money; the amount of money he [or anyone] needed in order to be able to survive without compromising themselves. Back in the day, if he sold one TV script he could keep survive for five or six months.
That was back in the 1970s.
Why are millions of dollar budget films being called indie?
At this point you need to go the gaming route and have up a AA term to encapsulate these businesses over the indies.
I'm glad this article offers a solution, but is it really going to solve anything?
I fully agree that a film having a short time in theatres might seem that if affects how/when I watch it, but I don't think just lengthening a films time in theatres would really solve the problem.
For me, if I'm going to see a film I see it opening weekend 99% of the time (maybe a slight delay if there is a personal conflict.) If I'm not seeing it opening weekend, I'm happy to just wait. Sure only having to wait a month is great for me, the consumer, but if I had to wait 6 months I'm going to just wait 6 months.
The problem, as I see it, is that there is an infinite amount of things to watch. The supply is endless. This is great for me as the consumer, but a problem if you're a supply/film creator.
Now not all supply/films are created equal. So how do you fix that problem? How do you convince me to see The Brutalist (in theatres)?
One of the fundamental goals of the !trailers@lemmy.blahaj.zone community is explicitly to help surface small to medium budget films that don’t get the benefit of distribution marketing budgets.
The Red Letter Media guys just gave a glowing review to another one of these, The King Tide, whose trailer I remember posting and thinking “ok, this looks great”.
Quality, intriguing, memorable films are still being made. If you want to see them, you have to put in the work to find them.