this post was submitted on 07 Jan 2026
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Doesn’t even look like Greece. The lighting (or lack of) makes it look like they were going for the Scandinavia aesthetic or something, not the Mediterranean.
I read an interview with Nolan where he said that because he's red / green colorblind, he deliberately color grades his films to desaturate those colors and make the final result more accurate to what he sees.
Doesn't change the fact that bronze/ heavily pigmented ancient Greece is a horrible choice for such a treatment, but still interesting why he does it.