Need to let loose a primal scream without collecting footnotes first? Have a sneer percolating in your system but not enough time/energy to make a whole post about it? Go forth and be mid: Welcome to the Stubsack, your first port of call for learning fresh Awful you’ll near-instantly regret.
Any awful.systems sub may be subsneered in this subthread, techtakes or no.
If your sneer seems higher quality than you thought, feel free to cut’n’paste it into its own post — there’s no quota for posting and the bar really isn’t that high.
The post Xitter web has spawned soo many “esoteric” right wing freaks, but there’s no appropriate sneer-space for them. I’m talking redscare-ish, reality challenged “culture critics” who write about everything but understand nothing. I’m talking about reply-guys who make the same 6 tweets about the same 3 subjects. They’re inescapable at this point, yet I don’t see them mocked (as much as they should be)
Like, there was one dude a while back who insisted that women couldn’t be surgeons because they didn’t believe in the moon or in stars? I think each and every one of these guys is uniquely fucked up and if I can’t escape them, I would love to sneer at them.
(Credit and/or blame to David Gerard for starting this.)
this is one of those things that's, in a narrative sense, a great way to tell a story, while being completely untethered from fact/reality. and that's fine! stories have no obligation to be based in fact!
to put a very mild armchair analysis about it forward: it's playing on the definition of the conceptual "smart" computer, as it relates to human experience. there's been a couple of other things in recent history that I can think of that hit similar or related notes (M3GAN, the whole "omg the AI tricked us (and then the different species with a different neurotype and capability noticed it!)" arc in ST:DIS, the last few Mission Impossible films, etc). it's one of those ways in which art and stories tend to express "grappling with $x to make sense of it"
personally speaking, one of the ways about it that I find most jarring is when the fantastical vastly outweighs anything else purely for narrative reasons - so much so that it's a 4th-wallbreak for me ito what the story means to convey. I reflect on this somewhat regularly, as it's a rather cursed rabbithole that instances repeatedly: "is it my knowledge of this domain that's spoiling my enjoyment of this thing, or is the story simply badly written?" is the question that comes up, and it's surprisingly varied and complicated in its answering
on the whole I think it's often good/best to keep in mind that scifi is often an exploration and a pressure valve, but that it's also worth keeping an eye on how much it's a pressure valve. too much of the latter, and something(tm) is up