this post was submitted on 23 Jul 2025
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Ghost (1990)
Posthumous love transcends its pottery-wheel kitsch into genre-blending mastery: part romance, part thriller, part cosmic comedy, and all metaphysical yearning. Swayze's unchained melody leads to Goldberg's Oda Mae stealing every scene with perfect levity. Though there, plot issues be damned in the face of love's victory over death! Its zeitgeist grip is earned and is indeed transcendent. Ditto.
La Collectionneuse (1967)
Gamine Haydée’s sexually-liberated presence fractures the languid hypocrisy of two "intellectuals" summering in ennui. Gallery-hopeful Adrien narrates in first-person deceit his moral superiority while coveting Haydée and his friend, sculptor and self-proclaimed barbarian Daniel mimics nonchalance with faux-libertine shrugs. Against their pompous barrage, her nightly routine soon evolves, left ambiguous by agency or mirror. Offering no verdict, but a capsule of 60s moral rot under the sun-kissed Riviera.
Secret Admirer (1985)
80s teen tropes abound from slack-jawed parents to mistaken love letters but what sets it apart is its search for romance over sex. Its comedic elements are as effective as Reaganomics yet its embrace of young love's naïveté and gawky earnestness disarms. Objectively cliché, irresistibly nostalgic.
Topkapi (1964)
A meretricious caper gilded by Istanbul's sun-drenched glamour, buoyed more by location than larcenous genius. Istanbul’s bazaars and palaces shimmer like stolen emeralds, while Turkish wrestling adds cultural heft; both dearly required to divert from languid plotting. It includes the famed wire-dangling theft which birthed a beloved genre trope. This film remains a minor classic, a postcard from heist cinema’s adolescence.
Love Hurts (2025)
Anemic Valentine's entry where romance's absence is murderously felt. The action sequences are generic edited schlock, but the mismatched casting prove fatal as Quan’s treacly realtor-ex-hitman flails in a role demanding Jackie Chan charm and suffocates on arrival, overshadowed by DeBose’s femme fatale's negative presence. Their chemistry is even worse, all heart-shaped packaging without a pulse. It exists as a foreclosed property copied from superior blueprints. Mediocrity indeed hurts.
I preferred when the weekly thread was pinned a few days at the top for easy access and viewing.
I agree that Love Hurts just kinda sucks. I think it commits one of the worst sins in media which is being boring. Things that are good and bad have a lot of interesting topics to discuss, while boring and pretty good are hard to discuss and tend to just not have an impact
Likewise, I'd also like this thread to be pinned over the new movie threads. I find those threads scare away people who haven't seen the movie and don't want spoilers, whereas people who have seen it don't seem to be using them
Agreed. The director played it safe; aspired to be John Wick but is a soulless Nobody - which is already derivative.