Art & Design

Enki bilal drawing at his studio

@artdesign
yewtu.be/watch?v=ZrSCVjvQPjE

#EnkiBilal #Dessin #BD

Créez vos PixelArt avec Pixel-It

@artdesign
OP : @nicolay_lilicre

Bonjour à tous ! 👋

Je suis content de partager avec vous une petite appli que j'ai développée et utilisée en local jusqu'à présent. 😉

ciaconelli.forge.aeif.fr/pixel-it/

Elle s'appelle Pixel-It et est conçue pour créer des exercices de type Pixel Art, idéaux pour rendre l'apprentissage en mathématiques (mais pas que) à la fois amusant et interactif. 🎨📚

Que vous soyez enseignant, à la recherche de nouvelles méthodes pédagogiques, ou simplement un passionné d'art numérique, Pixel-It offre une expérience créative interessante... 👨‍🏫

N'hésitez pas à la découvrir et à partager vos créations ! 🌟

#PixelArt #Éducation #Mathématiques #Créativité

En visite dans un lycée, Thibaut Soulcié enfile son costume de professeur et organise un atelier où les élèves doivent élaborer leur premier dessin de presse.

En bref ;

• réfléchissez
• dessinez
• amusez vous
• travaillez
• acceptez
• arrêtez

Je suis artiste et je travaille en particulier autour de la narration: pour l’instant avec surtout de l’illu, des textes et tout ça se retrouve idéalement dans de l’édition. Je bosse aussi sur un petit projet de jv à mes heures perdues (à mon rythme pour dans 10ans)

La sculpture de Robert Kéramsi (comme aussi son dessin) rejette d’avance les termes de la vieille controverse du beau contre le vrai.

Elle rayonne de la jubilation d’un métier évidemment inné. Tout entière vouée au corps et à la matière, elle s’impose par une présence qui ne s’embarrasse pas du désir de séduire ni du besoin d’expliquer.

Elle est sauvage et puissante mais ne semble pas le savoir. Elle inquiète autant qu’elle attire, comme une bête non domestiquée. On dirait qu’à toute époque de son histoire elle vient de naître.

La sculpture de Kéramsi, c’est l’enfance de l’art.

Georges Monti (Editeur-Les éditions du Temps qu’il Fait

Site web officiel où vous pourrez retrouver ces dessins, sculptures et peintures // Official wibsite where you can see its drawing, painting and sculptures : https://www.robertkeramsi.com/

Une interview de Keramsi // Short interview in french from Keramsi : https://www.ladepeche.fr/article/2014/05/10/1878248-montcuq-robert-keramsi-sculpte-la-nature-humaine.html

One of Fischinger's famous Studies drawn on paper with black charcoal. These Studies were distributed worldwide and screened as the opening short film before feature films. Some were made to advertise record releases by Elektrola Records, making them some of the first music videos. This is on the CVM Oskar Fischinger: Visual Music DVD.

This film, and our other Fischinger films here on YouTube, are copyright Center for Visual Music, thanks to a gift from Barbara Fischinger/The Fischinger Trust. No permission is given to distribute, share, or use for any public screenings or any other usage other than private home viewing. Please contact CVM for any distribution, screening or licensing requests.

For more about Oskar Fischinger, visit oskarfischinger.com

J'adore

One of my favorite painting. It is horrific but their expression are powerful...the composition is rather simple, not outstanding but their faces and hands are priceless.

Wikipedia

It is considered one of the finest pieces of Spanish history painting from the 19th century.

Commissioned by Prime Minister Práxedes Mateo Sagasta in 1886, Gisbert completed in 1888. It has been used as vehicle for conveying the Spanish nation building from a perspective of the defence of Liberty.

On 11 December 1831, following direct orders from Ferdinand VII and without any sort of trial, José María Torrijos was executed on the beach of Málaga, together with other companions (such as Manuel Flores Calderón [es] and Francisco Fernández Golfín), including both military and civilians. The painting depicts the scene.

Today, it is displayed in Madrid's Museo del Prado.

Description

José María de Torrijos y Uriarte, also known as General Torrijos, was a Spanish liberal soldier and politician remembered above all for his bitter fight against the absolutism that Ferdinand VII of Spain wanted to impose, which cost Torrijos prison and exile.

An outstanding military man who became captain general of Valencia, field marshal and minister of war during the Liberal Triennium (1820-1823), Torrijos prepared the so-called Torrijos pronouncement from his exile in England (1824-1830), where he lived thanks in part to the aid granted by the Duke of Wellington to the Spanish exiles who had fought under his command in the Spanish War of Independence. On December 2, 1831, together with sixty of his closest associates, he landed on the beaches of Malaga from Gibraltar. There he was betrayed by Governor Vicente González Moreno, who had promised him his support, and they were captured by absolutist troops. Eight days later, on December 11 and without trial, Torrijos was shot along with forty-eight of his companions on the beaches of Malaga.

In the painting, the prisoners are lined up with their hands tied, while some friars are busy blindfolding them and trying to offer the condemned one last consolation. Behind them the firing squad awaits orders, while in the foreground, on the ground, some men lie already dead in a clearly Goyesque detail.

Torrijos is in the center of the composition, standing out slightly from the rest of the characters. To his left, holding his hand, is an elderly man, Francisco Fernández Golfín, former Minister of War, and to the right, holding his hand, Manuel Flores Calderón, dressed in a pale frock coat. To his right are Colonel López Pinto, the English officer Robert Boyd and Francisco Borja Pardio